Art and Imagination: A Study in the Philosophy of MindSt. Augustine's Press, 1998 - 256 pages This book presents a theory of aesthetic judgment and appreciation in the spirit of modern empiricism. There are three parts: the first deals with questions of philosophical logic, the second with questions in the philosophy of mind, and the third with questions in the philosophy of art. Thus the argument advances from a theory of aesthetic judgment (and in particular of "aesthetic description"), to a theory of aesthetic appreciation, and thence to an account of the nature and value of art. |
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Page 9
... necessary nor sufficient conditions , though both necessary and sufficient conditions are related to them asymptotic- ally . ) Wittgenstein thought that the presence of criteria in any- thing must be detectable : they serve , therefore ...
... necessary nor sufficient conditions , though both necessary and sufficient conditions are related to them asymptotic- ally . ) Wittgenstein thought that the presence of criteria in any- thing must be detectable : they serve , therefore ...
Page 87
... necessary , in referring to beliefs , to mention the declarative sentences that express them , the mental state of believing something can be explained in terms of its expression independently of language . Exactly what form this ...
... necessary , in referring to beliefs , to mention the declarative sentences that express them , the mental state of believing something can be explained in terms of its expression independently of language . Exactly what form this ...
Page 161
... necessary , together sufficient , for the aesthetic attitude ? And it may be wondered how we might answer such a question . We could perhaps say that the presence of all the features is necessary and sufficient for an attitude's being a ...
... necessary , together sufficient , for the aesthetic attitude ? And it may be wondered how we might answer such a question . We could perhaps say that the presence of all the features is necessary and sufficient for an attitude's being a ...
Contents
The Individuality of the Aesthetic Object | 15 |
Aesthetic Perception | 29 |
Recognition and Response | 71 |
Copyright | |
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Common terms and phrases
aesthetic appreciation aesthetic attitude aesthetic description aesthetic experience aesthetic features aesthetic interest aesthetic judgement aesthetic object aesthetic perception analogy analysis answer apply argue argument aspect asserted ation attempt beautiful behaviour belief Chapter cognitive concept criteria criterion describe desire distinction duck emotion empiricist example explain expression fact feeling G. E. M. Anscombe give Goodman H. P. Grice hearing hence HP sauce I. A. Richards idea identity imagery imagination independent intention intentional object intentionality involves kind knowledge language logical look meaning melody mental mind moral judgement nature normal notion object of aesthetic P. T. Geach painting particular philosophers philosophy of mind picture poem possible predicate properties proposition question R. M. Hare reason reference relation representation response seems semantic theory sense sentences similar simply someone suggest suppose symbol taste theory of aesthetic thing thought truth conditions unasserted understanding visual Wittgenstein words