Art and Imagination: A Study in the Philosophy of MindSt. Augustine's Press, 1998 - 256 pages This book presents a theory of aesthetic judgment and appreciation in the spirit of modern empiricism. There are three parts: the first deals with questions of philosophical logic, the second with questions in the philosophy of mind, and the third with questions in the philosophy of art. Thus the argument advances from a theory of aesthetic judgment (and in particular of "aesthetic description"), to a theory of aesthetic appreciation, and thence to an account of the nature and value of art. |
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Page 118
... picture and see it as a man . It does not seem unnatural to say that I am also thinking of some- thing - whether it be the picture , or the figure – as a man . But it could hardly be maintained that I have before my mind a pro- position ...
... picture and see it as a man . It does not seem unnatural to say that I am also thinking of some- thing - whether it be the picture , or the figure – as a man . But it could hardly be maintained that I have before my mind a pro- position ...
Page 192
... picture to the extent that what it ' says ' is true . Clearly , then , we should account for the representation of a ... picture of b ' , according to whether the picture is a portrait or an imaginary scene . Thus we have the ...
... picture to the extent that what it ' says ' is true . Clearly , then , we should account for the representation of a ... picture of b ' , according to whether the picture is a portrait or an imaginary scene . Thus we have the ...
Page 195
... picture of ... ' is suggested by considering not the nature of representation but rather the way in which representation is appreciated . If a picture of a man is to be properly appreciated it must at least be possible to see the picture ...
... picture of ... ' is suggested by considering not the nature of representation but rather the way in which representation is appreciated . If a picture of a man is to be properly appreciated it must at least be possible to see the picture ...
Contents
The Individuality of the Aesthetic Object | 15 |
Aesthetic Perception | 29 |
Recognition and Response | 71 |
Copyright | |
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Common terms and phrases
aesthetic appreciation aesthetic attitude aesthetic description aesthetic experience aesthetic features aesthetic interest aesthetic judgement aesthetic object aesthetic perception analogy analysis answer apply argue argument aspect asserted ation attempt beautiful behaviour belief Chapter cognitive concept criteria criterion describe desire distinction duck emotion empiricist example explain expression fact feeling G. E. M. Anscombe give Goodman H. P. Grice hearing hence HP sauce I. A. Richards idea identity imagery imagination independent intention intentional object intentionality involves kind knowledge language logical look meaning melody mental mind moral judgement nature normal notion object of aesthetic P. T. Geach painting particular philosophers philosophy of mind picture poem possible predicate properties proposition question R. M. Hare reason reference relation representation response seems semantic theory sense sentences similar simply someone suggest suppose symbol taste theory of aesthetic thing thought truth conditions unasserted understanding visual Wittgenstein words