Art and Imagination: A Study in the Philosophy of MindSt. Augustine's Press, 1998 - 256 pages This book presents a theory of aesthetic judgment and appreciation in the spirit of modern empiricism. There are three parts: the first deals with questions of philosophical logic, the second with questions in the philosophy of mind, and the third with questions in the philosophy of art. Thus the argument advances from a theory of aesthetic judgment (and in particular of "aesthetic description"), to a theory of aesthetic appreciation, and thence to an account of the nature and value of art. |
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Page 10
... reference to outer objects is excluded from its description , in which terms must occur with their ordinary reference suspended . Whether or not we espouse extensionality as a necessary condition of analysis - as modern empiricists ...
... reference to outer objects is excluded from its description , in which terms must occur with their ordinary reference suspended . Whether or not we espouse extensionality as a necessary condition of analysis - as modern empiricists ...
Page 197
... reference to some mental item - intention , experience , belief or desire whose ' intentional object ' causes reference to fail . If ' a is a picture of b ' were to mean ' a is intended to resemble b ' , or ' a can be seen as b ' , then ...
... reference to some mental item - intention , experience , belief or desire whose ' intentional object ' causes reference to fail . If ' a is a picture of b ' were to mean ' a is intended to resemble b ' , or ' a can be seen as b ' , then ...
Page 223
... reference : it is this feature that ultimately explains the symbolic relation between a work of art and whatever is expressed by it . It is in terms of reference that the relation of ' correspondence ' is analysed . What does this ...
... reference : it is this feature that ultimately explains the symbolic relation between a work of art and whatever is expressed by it . It is in terms of reference that the relation of ' correspondence ' is analysed . What does this ...
Contents
The Individuality of the Aesthetic Object | 15 |
Aesthetic Perception | 29 |
Recognition and Response | 71 |
Copyright | |
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Common terms and phrases
aesthetic appreciation aesthetic attitude aesthetic description aesthetic experience aesthetic features aesthetic interest aesthetic judgement aesthetic object aesthetic perception analogy analysis answer apply argue argument aspect asserted ation attempt beautiful behaviour belief Chapter cognitive concept criteria criterion describe desire distinction duck emotion empiricist example explain expression fact feeling G. E. M. Anscombe give Goodman H. P. Grice hearing hence HP sauce I. A. Richards idea identity imagery imagination independent intention intentional object intentionality involves kind knowledge language logical look meaning melody mental mind moral judgement nature normal notion object of aesthetic P. T. Geach painting particular philosophers philosophy of mind picture poem possible predicate properties proposition question R. M. Hare reason reference relation representation response seems semantic theory sense sentences similar simply someone suggest suppose symbol taste theory of aesthetic thing thought truth conditions unasserted understanding visual Wittgenstein words