The Quarterly Review, Volume 82John Murray, 1847 |
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Page 408
... colour to a greater extent . A work so completed must have nearly approached the appearance of an oil picture . This was perhaps the moment when the new method opened itself to the mind of Hubert Van Eyck ....... The next change ...
... colour to a greater extent . A work so completed must have nearly approached the appearance of an oil picture . This was perhaps the moment when the new method opened itself to the mind of Hubert Van Eyck ....... The next change ...
Page 417
... colour introduced upon the lights , and the central lights afterwards further raised by body colour , and glazed . But in this process the sepia shadows are admitted only on objects whose local colours are warm or neutral ; wherever the ...
... colour introduced upon the lights , and the central lights afterwards further raised by body colour , and glazed . But in this process the sepia shadows are admitted only on objects whose local colours are warm or neutral ; wherever the ...
Page 426
... colour be thus coldly regarded , it is equally certain that no work ever attains enduring celebrity which is eminently deficient in this great respect . Colour cannot be indifferent ; it is either beautiful and auxiliary to the purposes ...
... colour be thus coldly regarded , it is equally certain that no work ever attains enduring celebrity which is eminently deficient in this great respect . Colour cannot be indifferent ; it is either beautiful and auxiliary to the purposes ...
Contents
The Lives of the Chancellors and Keepers of the Great Seal | 39 |
Memoirs of Viscountess Sundon Mistress of the Robes | 94 |
Memoir of the Life of Elizabeth Fry Edited by two | 109 |
Copyright | |
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