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Page 408
The next change necessarily consisted in using opaque as well as transparent colours ; the former being applied over the ... to the brown varnish , and too little to the bold transition from transparent to opaque colour on the lights .
The next change necessarily consisted in using opaque as well as transparent colours ; the former being applied over the ... to the brown varnish , and too little to the bold transition from transparent to opaque colour on the lights .
Page 417
It is not a little singular that it has already been revived in water - colours by a painter who , in his realization ... we believe , first thrown in frankly with sepia , the colour introduced upon the lights , and the central lights ...
It is not a little singular that it has already been revived in water - colours by a painter who , in his realization ... we believe , first thrown in frankly with sepia , the colour introduced upon the lights , and the central lights ...
Page 420
This we admit , so far as that ground gave value to the transparent flesh - coloured or brown preparation above it ... be so - but then it is the white ground itself subdued by transparent darker colour , not supporting a light colour .
This we admit , so far as that ground gave value to the transparent flesh - coloured or brown preparation above it ... be so - but then it is the white ground itself subdued by transparent darker colour , not supporting a light colour .
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Contents
The Lives of the Chancellors and Keepers of the Great Seal | 39 |
Memoirs of Viscountess Sundon Mistress of the Robes | 94 |
Memoir of the Life of Elizabeth Fry Edited by two | 109 |
Copyright | |
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Bibliographic information
| Title | The Quarterly Review, Volume 82 |
| Contributors | William Gifford, Sir John Taylor Coleridge, John Gibson Lockhart, Whitwell Elwin, William Macpherson, William Smith, Sir John Murray, Rowland Edmund Prothero (Baron Ernle), George Walter Prothero |
| Publisher | John Murray, 1847 |
| Export Citation | BiBTeX EndNote RefMan |