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Page 412
This , whether added when the picture was executed or subsequently , has tended to preserve the wood ( which is not at all wormeaten ) , and perhaps to prevent its warping .'- Ib . pp . 373 , 374 . On the white ground , scraped , when ...
This , whether added when the picture was executed or subsequently , has tended to preserve the wood ( which is not at all wormeaten ) , and perhaps to prevent its warping .'- Ib . pp . 373 , 374 . On the white ground , scraped , when ...
Page 413
The perfect whiteness of the ground being thus secured , a transparent warm oil - priming , in early practice flesh - coloured , was usually passed over the entire picture . This custom , says Mr. Eastlake , appears to have been a ...
The perfect whiteness of the ground being thus secured , a transparent warm oil - priming , in early practice flesh - coloured , was usually passed over the entire picture . This custom , says Mr. Eastlake , appears to have been a ...
Page 420
The system of exhibiting the bright ground through the shadows still involved an adherence to the original method of defining the composition at first ; and the solid painting of the lights opened the door to that freedom of execution ...
The system of exhibiting the bright ground through the shadows still involved an adherence to the original method of defining the composition at first ; and the solid painting of the lights opened the door to that freedom of execution ...
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Contents
The Lives of the Chancellors and Keepers of the Great Seal | 39 |
Memoirs of Viscountess Sundon Mistress of the Robes | 94 |
Memoir of the Life of Elizabeth Fry Edited by two | 109 |
Copyright | |
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Bibliographic information
| Title | The Quarterly Review, Volume 82 |
| Contributors | William Gifford, Sir John Taylor Coleridge, John Gibson Lockhart, Whitwell Elwin, William Macpherson, William Smith, Sir John Murray, Rowland Edmund Prothero (Baron Ernle), George Walter Prothero |
| Publisher | John Murray, 1847 |
| Export Citation | BiBTeX EndNote RefMan |