The Retrospective Review, Volume 1Charles and Henry Baldwyn, 1820 |
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... , and Nature and Effects of ) 305 . Modern Criticism XI . - Osorius de Gloria . XII . - Mysteries , Moralities , and other early Dramas . . . 322 . 332 . INTRODUCTION . THE accumulation of books has ever been regarded.
... , and Nature and Effects of ) 305 . Modern Criticism XI . - Osorius de Gloria . XII . - Mysteries , Moralities , and other early Dramas . . . 322 . 332 . INTRODUCTION . THE accumulation of books has ever been regarded.
Page ix
... Criticism , which when able and just , is always pleasing , we shall combine with copious and characteristic extracts , analyses , and biographical ac- counts , so as in some measure to supply the dearth of works on the history of ...
... Criticism , which when able and just , is always pleasing , we shall combine with copious and characteristic extracts , analyses , and biographical ac- counts , so as in some measure to supply the dearth of works on the history of ...
Page x
... criticisms upon whom , accompanied by a selec- tion of translated extracts , will occasionally form a part of our future labours . The Moorish authors in Spain were succeeded by no unworthy descendants . Spanish literature is far from ...
... criticisms upon whom , accompanied by a selec- tion of translated extracts , will occasionally form a part of our future labours . The Moorish authors in Spain were succeeded by no unworthy descendants . Spanish literature is far from ...
Page 1
... critics . The chief weight of Mr. Rymer's critical vengeance is wreaked on Othello . After a slight sketch of the plot , he proceeds at once to speak of the moral , which he seems to regard as of the first importance in tragedy ...
... critics . The chief weight of Mr. Rymer's critical vengeance is wreaked on Othello . After a slight sketch of the plot , he proceeds at once to speak of the moral , which he seems to regard as of the first importance in tragedy ...
Page 2
... critic in the opinion , that though a reader may sink Othello's colour in his mind , a spectator can scarcely avoid losing the mind in the colour . But Mr. Rymer proceeds thus to characterize Othello's noble account to the Senate of his ...
... critic in the opinion , that though a reader may sink Othello's colour in his mind , a spectator can scarcely avoid losing the mind in the colour . But Mr. Rymer proceeds thus to characterize Othello's noble account to the Senate of his ...
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Common terms and phrases
Absalon admiration Almanzor appear Argalia Ariamnes beauty behold breath Cardan Catiline Chap character Christian Cleom Cleomenes command Coriolanus criticism death delight divine Dryden earth Epirot eternal extract eyes fair fancy father favour fear feel felicitie genius gentle give glory God's-Grace grace hand happiness hath head heart heaven holy human humour Iago imagination Jews Juventus king lady live look Lord mind moral mysteries mysticism nature neque never night nihil noble Oroandes Othello passages passion Petrarch Pharonnida play pleasure poem poet poetical poetry prince qu'il quĉ quam Queen quod racters reader reign sacred says scene seems Shakespear shew Sir Thomas Browne solemn sorrow soul spirit sublime sweet tears tender thee things thou thought tion tium tragedy truth unto verse vertue virtue William Chamberlayne winds writers wyll Zephyrus
Popular passages
Page 74 - How charming is divine Philosophy! Not harsh and crabbed, as dull fools suppose, But musical as is Apollo's lute, And a perpetual feast of nectar'd sweets, Where no crude surfeit reigns.
Page 90 - ... it cannot be long before we lie down in darkness and have our light in ashes...
Page 312 - tis the soul of peace ; Of all the virtues 'tis nearest kin to heaven ; It makes men look like gods. The best of men That e'er wore earth about him was a sufferer, A soft, meek, patient, humble, tranquil spirit, The first true gentleman that ever breath'd.
Page 90 - The number of the dead long exceedeth all that shall live. The night of time far surpasseth the day, and who knows when was the equinox?
Page 136 - I am as free as nature first made man, Ere the base laws of servitude began, When wild in woods the noble savage ran.
Page 93 - Darkness and light divide the course of time, and oblivion shares with memory a great part even of our living beings; we slightly remember our felicities, and the smartest strokes of affliction leave but short smart upon us. Sense endureth no extremities, and sorrows destroy us or themselves.
Page 93 - To be ignorant of evils to come, and forgetful of evils past, is a merciful provision in nature, whereby we digest the mixture of our few and evil days ; and our delivered senses not relapsing into cutting remembrances, our sorrows are not kept raw by the edge of repetitions.
Page 18 - That day she was dressed in white silk, bordered with pearls of the size of beans, and over it a mantle of black silk, shot with silver threads ; her train was very long, the end of it borne by a marchioness ; instead of a chain she had an oblong collar of gold and jewels.
Page 90 - Oblivion is not to be hired. The greater part must be content to be as though they had not been, to be found in the register of God, not in the record of man.
Page 91 - And therefore restless inquietude for the diuturnity of our memories unto present considerations, seems a vanity almost out of date, and superannuated piece of folly. We cannot hope to live so long in our names as some have done in their persons ; one face of Janus holds no proportion unto the other. It is too late to be ambitious.