Elements of CriticismGraphic Arts Books, 2021 M11 16 - 646 pages Elements of Criticism (1762) is a philosophical work by Henry Home, Lord Kames. Published at the height of his career as a leading legal and cultural figure of the Scottish Enlightenment, Elements of Criticism has been credited as a crucial academic work in the development of modern English literary studies. “The science of criticism tends to improve the heart not less than the understanding...A just taste in the fine arts, by sweetening and harmonizing the temper, is a strong antidote to the turbulence of passion and violence of pursuit. Elegance of taste procures to a man so much enjoyment at home, or easily within reach, that in order to be occupied, he is, in youth, under no temptation to precipitate into hunting, gaming, drinking; nor, in middle age, to deliver himself over to ambition; nor, in old age, to avarice.” Although he is largely unheard of today, Henry Home was an integral figure in the elevation of the art of literary criticism as a subject in universities around Britain and the world. His central thesis is that criticism itself stems from the senses and directly relates to humanity’s capacity for reason. Through art, Home believed, humanity could live both morally and in harmony with the natural world, thereby creating a civilization rooted in virtue and creativity. With a beautifully designed cover and professionally typeset manuscript, this edition of Henry Home, Lord Kames’ Elements of Criticism is a classic of English literature reimagined for modern readers. |
From inside the book
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... hand by a stone, upon the palate by sugar, and upon the nostrils by a rose. But there is a difference as to our consciousness of that impression. In touching, tasting, and smelling, we are conscious of the impression. Not so in seeing ...
... hand in hand with the moral sense, to which indeed it is nearly allied. Both of them discover what is right and what is wrong. Fashion, temper, and education, have an influence upon both, to vitiate them, or to preserve them pure and ...
... hand. The author pretends only to have entered upon the subject so far as necessary for supporting his critical remarks. And he assumes no merit from his performance, but that of evincing, perhaps more distinctly than hitherto has been ...
... hand, a man, of accurate judgement cannot have a great flow of ideas. The slighter relations making no figure in his mind, have no power to introduce ideas. And hence it is, that accurate judgement is not friendly to declamation or ...
... hand, produceth a painful emotion; and of consequence a desire to have the author punished. Even things inanimate often raise desire. The goods of fortune are objects of desire almost universally; and the desire, when more than commonly ...
Contents
BEAUTY | |
GRANDEUR AND SUBLIMITY | |
MOTION AND FORCE | |
NOVELTY AND THE UNEXPECTED APPEARANCE OF OBJECTS | |
RISIBLE OBJECTS | |
CUSTOM AND HABIT | |
EXTERNAL SIGNS OF EMOTIONS AND PASSIONS | |
SENTIMENTS | |
LANGUAGE OF PASSION | |
BEAUTY OF LANGUAGE | |
VOLUME III | |
COMPARISONS | |
FIGURES | |
RESEMBLANCE AND CONTRAST | |
OF UNIFORMITY AND VARIETY | |
VOLUME II | |
CONGRUITY AND PROPRIETY | |
OF DIGNITY AND MEANNESS | |
RIDICULE | |
XIII | |
NARRATION AND DESCRIPTION | |
EPIC AND DRAMATIC COMPOSITIONS | |
THE THREE UNITIES | |
GARDENING AND ARCHITECTURE | |
STANDARD OF TASTE | |