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Some zealous Protestants may possibly be shocked at this Lady's theological notions; however, as in other respects she is a woman of an excellent character, and obferves the moral precepts of Christianity with as much attention as if her creed had

been purified by Luther, and doubly re-
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think it too great an extenfion of charity
fined by Calvin: it is hoped they will not
be forgiven.
to fuppofe that her speculative errors may

The BRITISH

PROLOGUE

To FATAL FALSEHOOD.

A Tragedy, by the Author of PERCY.
Written by the AUTHOR,

Spoken by Mr. HULL.

UR modern Poets scarce know how
to chufe

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A fubject worthy of the Tragic Muse;
For Bards fo well have glean'd th' Hiftoric
field,
That scarce one sheaf th' exhausted ancients
yield;

MUSE.

EPILOGUE,

Written by R. B. SHERIDAN, Esq; and spoken by Mr. LEE LEWES, in the Character of an enraged Author.

UNhand me, Gentlemen, by Heaven, I

fay,

I'll make a ghost of him who bars my way.
[Behind the scenes.

Forth let me come-a poetafter true,
As lean as Envy, and as baneful too :
On the dull audience let me vent my rage,
Or drive the female scribblers from the
ftage:

For scene or history, we've none but
these,
And these our timid Author leaves to In tragic-comic-paftoral-they dare
The law of liberty and wit they seize,
to please.

men,

For classic themes demand a classic pen :
Yet still the wilds of fiction open lie,
A flow'ry prospect, and a boundless sky;
But hard the task the fober path to chuse,
And wand'ring Fancy's treacherous baits
refuse.

-She dares not touch the drama's nobler
ftrings,

The fate of nations, and the fall of Kings; The humbler scenes of private life the thews,

A fimple story of domestic woes.

The weight of Crowns, a kingdom's weal or woe,

How few can judge, because how few can know!

But here you all may boast the Critic's

art,

Here all are judges-who possess a heart.
To govern empires is the lot of few,
But all who live have passions to fubdue;
And ev'n by Patriots let it be confefs'd,
These rebel subjects ought to be fup-
prefs'd,

These ravagers which spoil the human
breatt.

Oh! deign to learn this obvious desson here!

The verse is feeble, but the moral clear. Your candour once endur'd our Author's lays;

Endure them now that will be ample praife.

Each puny Bard must surely burst with spite,

To find that women with fuch fame can

write :

But, oh! your partial favour is the cause,
Who feed their follies with fuch full ap.
plaufe;

Yet still our tribe shall feek to blaft their
fame,

And ridicule each fair pretender's aim;
Where the dull duties of domestic life
Wage with the Muse's toils eternal strife.
What motley cares Corilla's mind per-
plex,

vex!

While waids and thetaphors conspire to
In studious deshabille behold her fit,
A letter goffip, and a housewife wit;
At once invoking, tho' for different views,
Her gods, her cook, her milliner, and

Mufe;

Round her strew'd room a frippery chaos
lies,
A chequer'd wreck of notable and
Bills, books, caps, couplets, combs, vary'd
wife;
mafs,
Oppress the toilet, and obfcure the glass;
Unfinish'd here an epigram is laid,
Here new-born plays foretaste the town's
And there a mantua maker's bill unpaid;
applaufe,

There, dormant patterns pine for future

gauze.

A moral

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When dire mishap, though neither shame nor fin,

SAPPHO herself, and not her Muse, lies in. The Virgin Nine in terror fly the bower,

And matron Juno claims despotic power;

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Soon Gothic hags the claffic pile o'erturn, The CONTEST of the SEASONS;

A caudle-cup fupplants the sacred urn;

Nor books, nor implements, escape their

rage,

They spike the ink-stand, and they rend

the page;

Poems and Plays one barbarous fate partake;

Ovid and Plutus fuffer at the stake,

And Ariftotle's only fav'd to wrap

plum-cake.

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Yet, shall a WOMAN tempt the tragic

feene?

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And dare-but hold-I must reprefs my fpleen;

Old Summer grew warm, and faid, 'twas

I see your hearts are pledg'd to her applaufe,

While Shakespeare's spirit seems to aid her caufe;

Well pleas'd to aid - fince o'er his

facred bier

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enough,

That too often he had heard fuch common

place stuff:

That to Him the bright fun all in fplendor arifing,

Was an object by far more fublime and furprizing.

All your pleasures, quoth Autumn, nothing to mine;

are

My fruits are ambrofia, and nectar my

wine.

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His bow o'er his shoulder was carelessly tied,

Not one of you think Winter merits regard,

His quiver in negligence clank'd at his fide;

reward.

A handful of arrows he held to my view, Each wing'd with a feather that differ'd in hue;

Or that Winter amusements are worthy
You, Spring, brag of nightingales giving
delight,
Han't I fiddlers like them that can warble

all night?

This, fledg'd from the eagle,' he smiling begun,

skip it,

I aim at the heart that no dangers will

You talk too of lambkins that prettily Don't my Misses at Almack's as merrily

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trip it?

Then,

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T

THE VIOLET.

By THEOPHILUS SWIFT, Esq.

HEE, Flora's first and favourite
child,

By Zephyr nurit on Green-bank wild,
And chear'd by vernal showers!-
Thy fragrant beauties let me fing,
Cerulean harbinger of fpring,

Chaite Vi'let, Queen of flowers!

Thy velvet birth, in golden groves,
The rofy hours and laughing loves
With genial kifles fed :
And o'er thee Peace, as on a day]
In early innocence you lay,

Her fylvan mantle fpread.
When you in azure flate appear,
Thy pacfence speaks the purple year,
And promis'd suamer nigh. -

Thus kisses blow the lover's fire,
Till the warm season of defire

Mature the Spring of joy.

Blue skirts the Rain-bow's arch in air,

Blue melts the mass of colours there,

The Heavens are hung with blue.And the, the nymph that charms my foul, Her eyes celeftial azure roll,

And best resemble you.

What though in humble shades you dwell,
And lurk in thicket, brake, or
dell,

Wafting your sweets away?
Yet shalt thou live embalm'd in fong,

And there shalt reign, diftinguish'd long,
The blooming Queen of May.

Then quit the wild, lest some rude thorn
Invade thy beauty's tender morn,
All-lovely as thou art!
So shall thy Poet lift his voice,
And to confirm his annual choice

Still lodge thee next his heart. Extract from the Ancient ENGLISH WAKE: А РОЕМ.

:

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Of war and daring Chiefs the master fung,
While from the chords terrific sounds he
flung:

At length, defcending from his lofty mood,
The feeling Bard a milder theme purfued,
And gently wak'd those soft complaining
tones,

So dear to melody which Scotland owns.
See now the throng in cluft'ring num-
bers ga

To where the troop display'd the gaudy
show *:

They first presented to th' expecting view,
Amid encircling clouds of richest hue,
Religion on a throne exalted high,
While flow'rs fell fprinkling from the
mimic sky:

Now stately ent'ring on the splendid scene,
Array'd in white, three female forms
were seen:

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* Dr. Warton observes in his History of English Poetry, that the fubject of this fort of spectacle was (till the reign of Henry the Seventh) confined to moral allegory, or to religion blended with buffoonery.

EXPLANATION of the annexed PLATE representing the Dress of

T

the Grecian Women in the Island NIO, one of the Cyclades.

HE island Nio, anciently called Ios from being first planted by a colony of Ionians, and celebrated as the burial-place of Homer; lies between Naxi to the north, Armago to the eaft, Santorino to the South, and Sikino to the west. It is about 35 miles in circumference, and is

fertile in corn, but has very little wood or oil. A few years ago, a Dutch Officer in the Russian service, who had occafion to visit this ifland, from the finding fome antique marbles, perfuaded himself that he had discovered the tomb of Homer; but as we have head no more about it, there

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Dresses of the Women in the Isle of Nio, Cone of the Grecian Archipelago.

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OF

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