The Artistry of Shakespeare's ProseMethuen, 1968 - 452 pages |
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Page 200
... situation to another in which their effect can set up a significant contrast . In terms of plot , although we do not look to Shakespearian Comedy for cause - and- effect developments , or complete three - dimensional consistency ...
... situation to another in which their effect can set up a significant contrast . In terms of plot , although we do not look to Shakespearian Comedy for cause - and- effect developments , or complete three - dimensional consistency ...
Page 221
... situation , as befits a play which turns on disguise , deception , and the mistakes of confused identity . The major comic scenes in the play show this move away from verbal wit towards a humour which depends on our know- ledge of ...
... situation , as befits a play which turns on disguise , deception , and the mistakes of confused identity . The major comic scenes in the play show this move away from verbal wit towards a humour which depends on our know- ledge of ...
Page 314
... situation after ' Sweet sister , let me live ' ( III , i ) as the Duke's plot begins to redress the balance of suffering created in the first part of the play . If the verse here is much greater than All's Well , the prose is also ...
... situation after ' Sweet sister , let me live ' ( III , i ) as the Duke's plot begins to redress the balance of suffering created in the first part of the play . If the verse here is much greater than All's Well , the prose is also ...
Contents
Shakespeares Use of Prose I | 1 |
A Critical Method | 19 |
From Clown to Character | 52 |
Copyright | |
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Common terms and phrases
abuse action antimetabole Apemantus applied argument Armado attitude Autolycus bawdy Beatrice begins Benedick Bertram Cassio character Claudio clauses clown comedy comic contrast Coriolanus Cressida deflating detail device disguise Dogberry dramatic Duke effect Elizabethan emotional epistrophe equivocation Euphuism Falstaff figure final fool give given Gobbo grotesque Hal's Hamlet hath honour humour Iago Iago's imagery images ironic isocolon King lady Lafeu language Lear logic lord Love's Labour's Lost Lucio ludicrous madness malapropism Malvolio meaning metaphor Mistress mock mockery mood nature Olivia Othello Pandarus parallel Parolles pattern piece play plot Polonius Pompey Prince prose puns repartee repetition rhetorical structure Roderigo Romance Rosalind scene seems seen serious servant Shake Shakespeare Shylock significant situation soliloquy speak specious speech stage style stylistic syllogism symmetries syntax thee Thersites thou Timon Toby Touchstone tragedy trap Troilus Troilus and Cressida Twelfth Night verse witty words