Architectural Forms and Philosophical StructuresPeter Lang, 2003 - 276 pages Architectural Forms and Philosophical Structures examines architectural and architectonic forms as products of philosophical and epistemological structures in selected cultures and time periods, and analyzes architecture as a text of its culture. Relations between architectural forms and philosophical structures are explored in Western civilization, beginning in Egypt and Greece and culminating in twentieth-century Europe and America. Architecture, like all forms of artistic expression, is interwoven with the beliefs and the structures of knowledge of its culture. |
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Page 18
... becomes Two , who becomes Four , who becomes Eight , and then I am One again . Also near the outer wall of Kar- nak , in the Temple of Ptah , god of the Word and patron of the architects , light shining through a skylight in the ceiling ...
... becomes Two , who becomes Four , who becomes Eight , and then I am One again . Also near the outer wall of Kar- nak , in the Temple of Ptah , god of the Word and patron of the architects , light shining through a skylight in the ceiling ...
Page 109
... becomes raw material , just as form that reveals its folds becomes force . In the Baroque the coupling of material - force is what replaces matter and form ( the primal forces being those of the soul ) . " 19 Material and force , or ...
... becomes raw material , just as form that reveals its folds becomes force . In the Baroque the coupling of material - force is what replaces matter and form ( the primal forces being those of the soul ) . " 19 Material and force , or ...
Page 110
... becomes vortical and is produced later ... inflection itself becomes vortical , and at the same time its variation opens onto fluctuation , it becomes fluctuation , " 22 as described by Deleuze . The vortical , the dynamic enactment of ...
... becomes vortical and is produced later ... inflection itself becomes vortical , and at the same time its variation opens onto fluctuation , it becomes fluctuation , " 22 as described by Deleuze . The vortical , the dynamic enactment of ...
Contents
Architecture and Cosmology in Ancient Egypt | 5 |
Architecture and Cosmology in Ancient Greece | 35 |
Francesco Borromini and the Construction of Meaning | 51 |
Copyright | |
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abstraction according Ancient appearance architect architecture Athanasius Kircher Baroque Bataille becomes body Book Borromini called Carceri century chaos church circle columns combination conception consciousness construction contains continuity corresponds created creation culture Cusanus darkness death described desire developed divine dream earth Egypt elements enacted existence experience explains expressed figures forces forms four Freud geometrical goddess gods Gothic heavens hierarchy Horus House human Ibid idea images imagination infinite inner Italy Kircher knowledge laws Leibniz light manifest material matter means mind movement multiplicity nature Neoplatonic object organic origin perception philosophical physical Piranesi Press principle projected pyramid rational reality realm reason reflected relation representation represented Rome San Carlo seen sensation signifying structure soul space spatial spirit sublime substance suggest symbol temple things thought tion triangles unconscious unity universe vision visual walls worship York