Architectural Forms and Philosophical StructuresPeter Lang, 2003 - 276 pages Architectural Forms and Philosophical Structures examines architectural and architectonic forms as products of philosophical and epistemological structures in selected cultures and time periods, and analyzes architecture as a text of its culture. Relations between architectural forms and philosophical structures are explored in Western civilization, beginning in Egypt and Greece and culminating in twentieth-century Europe and America. Architecture, like all forms of artistic expression, is interwoven with the beliefs and the structures of knowledge of its culture. |
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Page 109
... described mathematically , allowing for simultaneous uniqueness and imbrication . Motion is the connec- tor between the monad and the macrocosm of reality , being subject to force and described by a geometrical translation . In ...
... described mathematically , allowing for simultaneous uniqueness and imbrication . Motion is the connec- tor between the monad and the macrocosm of reality , being subject to force and described by a geometrical translation . In ...
Page 169
... described in Marginalia , phantasmagoric images , rapidly shifting abstract images in a continuous procession of vivid and constantly changing forms , " arise in the soul only at those mere points of time where the confines of the ...
... described in Marginalia , phantasmagoric images , rapidly shifting abstract images in a continuous procession of vivid and constantly changing forms , " arise in the soul only at those mere points of time where the confines of the ...
Page 197
... described by Christine Buci - Glucksmann in Baroque Reason , The Aesthetics of Moder- nity . The ensembles of the scenery are animated , by dialectical movement , in the juxtaposition of opposites towards an effect or a sensation caused ...
... described by Christine Buci - Glucksmann in Baroque Reason , The Aesthetics of Moder- nity . The ensembles of the scenery are animated , by dialectical movement , in the juxtaposition of opposites towards an effect or a sensation caused ...
Contents
Architecture and Cosmology in Ancient Egypt | 5 |
Architecture and Cosmology in Ancient Greece | 35 |
Francesco Borromini and the Construction of Meaning | 51 |
Copyright | |
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abstraction Amon Ancient Ancient Egypt architect architectural forms Athanasius Kircher Baroque architecture Bernardo Vittone body Cabinet of Doctor Caillois Carceri Carlo alle Quattro celestial chaos circle columns combination conception consciousness corresponds cosmology created cupola Cusanus darkness described divine Doctor Caligari dream earth Egypt Egyptian elements enacted Endless House Ennead experience Ficino Francesco Borromini Frederick Kiesler Freud geometrical Georges Bataille Gilles Deleuze goddess gods Gothic Guarini Guarino Guarini Hathor heavens Hermes hierarchy Horus human Ibid images infinite inner inscribed Jacques Lacan Kiesler Kircher labyrinth Lacan laceration lantern Leibniz light manifest material mathematical mind monad Monadology multiplicity nature Neoplatonic Osiris perception perspectival construction philosophical Piranesi Plato primordial principle process of creation psychophysiological space pyramid Quattro Fontane rational reality realm relation representation represented Rome sensation signifying structure soul spatial sublime substance symbol temple tetractys thought tion transgression triangles unconscious unity universe Vathek Visions of Excess visual Vittone