Architectural Forms and Philosophical StructuresPeter Lang, 2003 - 276 pages Architectural Forms and Philosophical Structures examines architectural and architectonic forms as products of philosophical and epistemological structures in selected cultures and time periods, and analyzes architecture as a text of its culture. Relations between architectural forms and philosophical structures are explored in Western civilization, beginning in Egypt and Greece and culminating in twentieth-century Europe and America. Architecture, like all forms of artistic expression, is interwoven with the beliefs and the structures of knowledge of its culture. |
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Page 183
... desire is implicated in the relation between perception and knowl- edge , the gaze is inaccessible to desire , as being outside the signifying struc- ture . The gaze disturbs the being of the subject which for Lacan is “ sustaining ...
... desire is implicated in the relation between perception and knowl- edge , the gaze is inaccessible to desire , as being outside the signifying struc- ture . The gaze disturbs the being of the subject which for Lacan is “ sustaining ...
Page 186
... desire in the signifying structure . As Slavoj Zizek explains , " The object a names the void of that unattainable sur- plus that sets our desire in motion . " 2 Through the objet a the subject is sepa- rated and alienated from being ...
... desire in the signifying structure . As Slavoj Zizek explains , " The object a names the void of that unattainable sur- plus that sets our desire in motion . " 2 Through the objet a the subject is sepa- rated and alienated from being ...
Page 187
... desire . The body of the human being must die because it has reproduced . The psychical death drive is implicated in the signifying structure in relation to desire , the desire of the subject to be a punctiform object , the desire of ...
... desire . The body of the human being must die because it has reproduced . The psychical death drive is implicated in the signifying structure in relation to desire , the desire of the subject to be a punctiform object , the desire of ...
Contents
Architecture and Cosmology in Ancient Egypt | 5 |
Architecture and Cosmology in Ancient Greece | 35 |
Francesco Borromini and the Construction of Meaning | 51 |
Copyright | |
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Common terms and phrases
abstraction Amon Ancient Ancient Egypt architect architectural forms Athanasius Kircher Baroque architecture Bernardo Vittone body Cabinet of Doctor Caillois Carceri Carlo alle Quattro celestial chaos circle columns combination conception consciousness corresponds cosmology created cupola Cusanus darkness described divine Doctor Caligari dream earth Egypt Egyptian elements enacted Endless House Ennead experience Ficino Francesco Borromini Frederick Kiesler Freud geometrical Georges Bataille Gilles Deleuze goddess gods Gothic Guarini Guarino Guarini Hathor heavens Hermes hierarchy Horus human Ibid images infinite inner inscribed Jacques Lacan Kiesler Kircher labyrinth Lacan laceration lantern Leibniz light manifest material mathematical mind monad Monadology multiplicity nature Neoplatonic Osiris perception perspectival construction philosophical Piranesi Plato primordial principle process of creation psychophysiological space pyramid Quattro Fontane rational reality realm relation representation represented Rome sensation signifying structure soul spatial sublime substance symbol temple tetractys thought tion transgression triangles unconscious unity universe Vathek Visions of Excess visual Vittone