Architectural Forms and Philosophical StructuresPeter Lang, 2003 - 276 pages Architectural Forms and Philosophical Structures examines architectural and architectonic forms as products of philosophical and epistemological structures in selected cultures and time periods, and analyzes architecture as a text of its culture. Relations between architectural forms and philosophical structures are explored in Western civilization, beginning in Egypt and Greece and culminating in twentieth-century Europe and America. Architecture, like all forms of artistic expression, is interwoven with the beliefs and the structures of knowledge of its culture. |
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Page 62
... divine fire is enflamed and put into motion through the ministry of divine providence , and the human mind is absorbed in the ocean of divine knowledge , as described in Musurgia universalis . Such de- scriptions correspond to the ...
... divine fire is enflamed and put into motion through the ministry of divine providence , and the human mind is absorbed in the ocean of divine knowledge , as described in Musurgia universalis . Such de- scriptions correspond to the ...
Page 71
... divine reason . As Cu- sanus describes in De docta ignorantia , visible things are understood as enigmas and images of divine creation , the unreachable spirit and symbol of origin , hidden and incomprehensible to us , but which ...
... divine reason . As Cu- sanus describes in De docta ignorantia , visible things are understood as enigmas and images of divine creation , the unreachable spirit and symbol of origin , hidden and incomprehensible to us , but which ...
Page 75
... divine mind provides the means by which the divine mind can be incorporated into the human mind , ( the similitudines intelligibilium impressas ab eisdem intel- lectui nostro of the Accademia di San Luca ) , in that numbers are an ...
... divine mind provides the means by which the divine mind can be incorporated into the human mind , ( the similitudines intelligibilium impressas ab eisdem intel- lectui nostro of the Accademia di San Luca ) , in that numbers are an ...
Contents
Architecture and Cosmology in Ancient Egypt | 5 |
Architecture and Cosmology in Ancient Greece | 35 |
Francesco Borromini and the Construction of Meaning | 51 |
Copyright | |
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abstraction Amon Ancient Ancient Egypt architect architectural forms Athanasius Kircher Baroque architecture Bernardo Vittone body Cabinet of Doctor Caillois Carceri Carlo alle Quattro celestial chaos circle columns combination conception consciousness corresponds cosmology created cupola Cusanus darkness described divine Doctor Caligari dream earth Egypt Egyptian elements enacted Endless House Ennead experience Ficino Francesco Borromini Frederick Kiesler Freud geometrical Georges Bataille Gilles Deleuze goddess gods Gothic Guarini Guarino Guarini Hathor heavens Hermes hierarchy Horus human Ibid images infinite inner inscribed Jacques Lacan Kiesler Kircher labyrinth Lacan laceration lantern Leibniz light manifest material mathematical mind monad Monadology multiplicity nature Neoplatonic Osiris perception perspectival construction philosophical Piranesi Plato primordial principle process of creation psychophysiological space pyramid Quattro Fontane rational reality realm relation representation represented Rome sensation signifying structure soul spatial sublime substance symbol temple tetractys thought tion transgression triangles unconscious unity universe Vathek Visions of Excess visual Vittone