Architectural Forms and Philosophical StructuresPeter Lang, 2003 - 276 pages Architectural Forms and Philosophical Structures examines architectural and architectonic forms as products of philosophical and epistemological structures in selected cultures and time periods, and analyzes architecture as a text of its culture. Relations between architectural forms and philosophical structures are explored in Western civilization, beginning in Egypt and Greece and culminating in twentieth-century Europe and America. Architecture, like all forms of artistic expression, is interwoven with the beliefs and the structures of knowledge of its culture. |
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Page 153
... dream which Walpole had of an an- cient castle : I waked one morning in the beginning of last June from a dream , of which all I could recover was , that I had thought myself in an ancient castle ( a very natural dream for a head filled ...
... dream which Walpole had of an an- cient castle : I waked one morning in the beginning of last June from a dream , of which all I could recover was , that I had thought myself in an ancient castle ( a very natural dream for a head filled ...
Page 154
... dream , from half- conscious or automatic writing with no intended outcome . The dream image played an important role in the Gothic romance , and the Carceri of Piranesi were read in literary terms as images of a dream , referred to by ...
... dream , from half- conscious or automatic writing with no intended outcome . The dream image played an important role in the Gothic romance , and the Carceri of Piranesi were read in literary terms as images of a dream , referred to by ...
Page 184
... dreams as infinitely fragmented and continually moving : " here the luminous dust in the darkened field of vision has taken on a fantastic shape , and the numerous specks of which it consists are incorporated into the dream as an equal ...
... dreams as infinitely fragmented and continually moving : " here the luminous dust in the darkened field of vision has taken on a fantastic shape , and the numerous specks of which it consists are incorporated into the dream as an equal ...
Contents
Architecture and Cosmology in Ancient Egypt | 5 |
Architecture and Cosmology in Ancient Greece | 35 |
Francesco Borromini and the Construction of Meaning | 51 |
Copyright | |
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abstraction Amon Ancient Ancient Egypt architect architectural forms Athanasius Kircher Baroque architecture Bernardo Vittone body Cabinet of Doctor Caillois Carceri Carlo alle Quattro celestial chaos circle columns combination conception consciousness corresponds cosmology created cupola Cusanus darkness described divine Doctor Caligari dream earth Egypt Egyptian elements enacted Endless House Ennead experience Ficino Francesco Borromini Frederick Kiesler Freud geometrical Georges Bataille Gilles Deleuze goddess gods Gothic Guarini Guarino Guarini Hathor heavens Hermes hierarchy Horus human Ibid images infinite inner inscribed Jacques Lacan Kiesler Kircher labyrinth Lacan laceration lantern Leibniz light manifest material mathematical mind monad Monadology multiplicity nature Neoplatonic Osiris perception perspectival construction philosophical Piranesi Plato primordial principle process of creation psychophysiological space pyramid Quattro Fontane rational reality realm relation representation represented Rome sensation signifying structure soul spatial sublime substance symbol temple tetractys thought tion transgression triangles unconscious unity universe Vathek Visions of Excess visual Vittone