Architectural Forms and Philosophical StructuresPeter Lang, 2003 - 276 pages Architectural Forms and Philosophical Structures examines architectural and architectonic forms as products of philosophical and epistemological structures in selected cultures and time periods, and analyzes architecture as a text of its culture. Relations between architectural forms and philosophical structures are explored in Western civilization, beginning in Egypt and Greece and culminating in twentieth-century Europe and America. Architecture, like all forms of artistic expression, is interwoven with the beliefs and the structures of knowledge of its culture. |
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Page 101
... expressed in the architecture of Fran- cesco Borromini , with the idea of the mechanistic and organistic body as ex ... expression in the architecture of Francesco Borromini in seventeenth - century Rome , an ar- chitecture which Vittone ...
... expressed in the architecture of Fran- cesco Borromini , with the idea of the mechanistic and organistic body as ex ... expression in the architecture of Francesco Borromini in seventeenth - century Rome , an ar- chitecture which Vittone ...
Page 172
... expressed in the Carceri , the gro- tesque of the Gothic , the subterranean labyrinth and the vortex into the abyss . Sentience is expressed in the decay of architectural ruins as psychic disinte- gration , as in the Carceri , the vault ...
... expressed in the Carceri , the gro- tesque of the Gothic , the subterranean labyrinth and the vortex into the abyss . Sentience is expressed in the decay of architectural ruins as psychic disinte- gration , as in the Carceri , the vault ...
Page 204
... expressed in an article published in Architectural Record , “ All design and construction in the arts and architecture are specific calculations for rejoining into unity artificially assembled material and the control of its decay ...
... expressed in an article published in Architectural Record , “ All design and construction in the arts and architecture are specific calculations for rejoining into unity artificially assembled material and the control of its decay ...
Contents
Architecture and Cosmology in Ancient Egypt | 5 |
Architecture and Cosmology in Ancient Greece | 35 |
Francesco Borromini and the Construction of Meaning | 51 |
Copyright | |
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abstraction Amon Ancient Ancient Egypt architect architectural forms Athanasius Kircher Baroque architecture Bernardo Vittone body Cabinet of Doctor Caillois Carceri Carlo alle Quattro celestial chaos circle columns combination conception consciousness corresponds cosmology created cupola Cusanus darkness described divine Doctor Caligari dream earth Egypt Egyptian elements enacted Endless House Ennead experience Ficino Francesco Borromini Frederick Kiesler Freud geometrical Georges Bataille Gilles Deleuze goddess gods Gothic Guarini Guarino Guarini Hathor heavens Hermes hierarchy Horus human Ibid images infinite inner inscribed Jacques Lacan Kiesler Kircher labyrinth Lacan laceration lantern Leibniz light manifest material mathematical mind monad Monadology multiplicity nature Neoplatonic Osiris perception perspectival construction philosophical Piranesi Plato primordial principle process of creation psychophysiological space pyramid Quattro Fontane rational reality realm relation representation represented Rome sensation signifying structure soul spatial sublime substance symbol temple tetractys thought tion transgression triangles unconscious unity universe Vathek Visions of Excess visual Vittone