Architectural Forms and Philosophical StructuresPeter Lang, 2003 - 276 pages Architectural Forms and Philosophical Structures examines architectural and architectonic forms as products of philosophical and epistemological structures in selected cultures and time periods, and analyzes architecture as a text of its culture. Relations between architectural forms and philosophical structures are explored in Western civilization, beginning in Egypt and Greece and culminating in twentieth-century Europe and America. Architecture, like all forms of artistic expression, is interwoven with the beliefs and the structures of knowledge of its culture. |
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Page 58
... form.23 In Cusa- nus the process of knowledge , represented by multiple forms , corresponds to divine creation , represented by unitary form , though the creation is unattain- able by that knowledge . In the plan of San Carlo the unitary ...
... form.23 In Cusa- nus the process of knowledge , represented by multiple forms , corresponds to divine creation , represented by unitary form , though the creation is unattain- able by that knowledge . In the plan of San Carlo the unitary ...
Page 147
... forms of real- ity , natural forms , are attributed a conscious life and indwelling spirit . Henri Focillon observed that the veins of the rocks in an engraving by Piranesi of the Via Appia are the same as the veins of human ...
... forms of real- ity , natural forms , are attributed a conscious life and indwelling spirit . Henri Focillon observed that the veins of the rocks in an engraving by Piranesi of the Via Appia are the same as the veins of human ...
Page 148
... forms , the animism of the spirit , are trapped within inorganic , geometric forms , forms related to the death instinct . Wilhelm Worringer would explain , in Abstraction and Empathy in 1948 , that " the morphological law of inorganic ...
... forms , the animism of the spirit , are trapped within inorganic , geometric forms , forms related to the death instinct . Wilhelm Worringer would explain , in Abstraction and Empathy in 1948 , that " the morphological law of inorganic ...
Contents
Architecture and Cosmology in Ancient Egypt | 5 |
Architecture and Cosmology in Ancient Greece | 35 |
Francesco Borromini and the Construction of Meaning | 51 |
Copyright | |
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abstraction Amon Ancient Ancient Egypt architect architectural forms Athanasius Kircher Baroque architecture Bernardo Vittone body Cabinet of Doctor Caillois Carceri Carlo alle Quattro celestial chaos circle columns combination conception consciousness corresponds cosmology created cupola Cusanus darkness described divine Doctor Caligari dream earth Egypt Egyptian elements enacted Endless House Ennead experience Ficino Francesco Borromini Frederick Kiesler Freud geometrical Georges Bataille Gilles Deleuze goddess gods Gothic Guarini Guarino Guarini Hathor heavens Hermes hierarchy Horus human Ibid images infinite inner inscribed Jacques Lacan Kiesler Kircher labyrinth Lacan laceration lantern Leibniz light manifest material mathematical mind monad Monadology multiplicity nature Neoplatonic Osiris perception perspectival construction philosophical Piranesi Plato primordial principle process of creation psychophysiological space pyramid Quattro Fontane rational reality realm relation representation represented Rome sensation signifying structure soul spatial sublime substance symbol temple tetractys thought tion transgression triangles unconscious unity universe Vathek Visions of Excess visual Vittone