Architectural Forms and Philosophical StructuresPeter Lang, 2003 - 276 pages Architectural Forms and Philosophical Structures examines architectural and architectonic forms as products of philosophical and epistemological structures in selected cultures and time periods, and analyzes architecture as a text of its culture. Relations between architectural forms and philosophical structures are explored in Western civilization, beginning in Egypt and Greece and culminating in twentieth-century Europe and America. Architecture, like all forms of artistic expression, is interwoven with the beliefs and the structures of knowledge of its culture. |
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Page 71
... origin , hidden and incomprehensible to us , but which nevertheless has pro- portion , and is the source of everything which comes into being in the uni- verse . 76 The most basic element in the unfolding of reason is numbers . In De co ...
... origin , hidden and incomprehensible to us , but which nevertheless has pro- portion , and is the source of everything which comes into being in the uni- verse . 76 The most basic element in the unfolding of reason is numbers . In De co ...
Page 147
... origin in classical forms . The search for the origin of forms in the chaos and obscurity of chthonic existence ( of unknowable and inaccessible origin ) involves the engagement of unreason and obfuscation in a submergence into the ...
... origin in classical forms . The search for the origin of forms in the chaos and obscurity of chthonic existence ( of unknowable and inaccessible origin ) involves the engagement of unreason and obfuscation in a submergence into the ...
Page 217
... origin of experience is the flesh of the world , the corporeality of being as precognitive spatial orientation . For Martin Heidegger , in " The Origin of the Work of Art , " " The rootlessness of Western thought begins with the ...
... origin of experience is the flesh of the world , the corporeality of being as precognitive spatial orientation . For Martin Heidegger , in " The Origin of the Work of Art , " " The rootlessness of Western thought begins with the ...
Contents
Architecture and Cosmology in Ancient Egypt | 5 |
Architecture and Cosmology in Ancient Greece | 35 |
Francesco Borromini and the Construction of Meaning | 51 |
Copyright | |
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abstraction Amon Ancient Ancient Egypt architect architectural forms Athanasius Kircher Baroque architecture Bernardo Vittone body Cabinet of Doctor Caillois Carceri Carlo alle Quattro celestial chaos circle columns combination conception consciousness corresponds cosmology created cupola Cusanus darkness described divine Doctor Caligari dream earth Egypt Egyptian elements enacted Endless House Ennead experience Ficino Francesco Borromini Frederick Kiesler Freud geometrical Georges Bataille Gilles Deleuze goddess gods Gothic Guarini Guarino Guarini Hathor heavens Hermes hierarchy Horus human Ibid images infinite inner inscribed Jacques Lacan Kiesler Kircher labyrinth Lacan laceration lantern Leibniz light manifest material mathematical mind monad Monadology multiplicity nature Neoplatonic Osiris perception perspectival construction philosophical Piranesi Plato primordial principle process of creation psychophysiological space pyramid Quattro Fontane rational reality realm relation representation represented Rome sensation signifying structure soul spatial sublime substance symbol temple tetractys thought tion transgression triangles unconscious unity universe Vathek Visions of Excess visual Vittone