Architectural Forms and Philosophical StructuresPeter Lang, 2003 - 276 pages Architectural Forms and Philosophical Structures examines architectural and architectonic forms as products of philosophical and epistemological structures in selected cultures and time periods, and analyzes architecture as a text of its culture. Relations between architectural forms and philosophical structures are explored in Western civilization, beginning in Egypt and Greece and culminating in twentieth-century Europe and America. Architecture, like all forms of artistic expression, is interwoven with the beliefs and the structures of knowledge of its culture. |
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Page 120
... principle , such as the body , in the same way that Baroque spaces are analogous to the organic body in the inter ... principle of sufficient reason . The principle of suf- ficient reason has been called the foundation of modern science ...
... principle , such as the body , in the same way that Baroque spaces are analogous to the organic body in the inter ... principle of sufficient reason . The principle of suf- ficient reason has been called the foundation of modern science ...
Page 121
... principle and excluded from the virtual mechanism of explicato . The principle of sufficient reason was the law of contingent propositions in the phenomenal realm ( as opposed to the noumenal ) of the causal and architectonic , of ...
... principle and excluded from the virtual mechanism of explicato . The principle of sufficient reason was the law of contingent propositions in the phenomenal realm ( as opposed to the noumenal ) of the causal and architectonic , of ...
Page 122
... principle of the Baroque . The principle of paradox is a common element of Neoplatonism and Or- ganic Rationalism . It is paradoxical that truths of reasoning are necessary , and their opposite is impossible ; truths of fact are ...
... principle of the Baroque . The principle of paradox is a common element of Neoplatonism and Or- ganic Rationalism . It is paradoxical that truths of reasoning are necessary , and their opposite is impossible ; truths of fact are ...
Contents
Architecture and Cosmology in Ancient Egypt | 5 |
Architecture and Cosmology in Ancient Greece | 35 |
Francesco Borromini and the Construction of Meaning | 51 |
Copyright | |
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abstraction Amon Ancient Ancient Egypt architect architectural forms Athanasius Kircher Baroque architecture Bernardo Vittone body Cabinet of Doctor Caillois Carceri Carlo alle Quattro celestial chaos circle columns combination conception consciousness corresponds cosmology created cupola Cusanus darkness described divine Doctor Caligari dream earth Egypt Egyptian elements enacted Endless House Ennead experience Ficino Francesco Borromini Frederick Kiesler Freud geometrical Georges Bataille Gilles Deleuze goddess gods Gothic Guarini Guarino Guarini Hathor heavens Hermes hierarchy Horus human Ibid images infinite inner inscribed Jacques Lacan Kiesler Kircher labyrinth Lacan laceration lantern Leibniz light manifest material mathematical mind monad Monadology multiplicity nature Neoplatonic Osiris perception perspectival construction philosophical Piranesi Plato primordial principle process of creation psychophysiological space pyramid Quattro Fontane rational reality realm relation representation represented Rome sensation signifying structure soul spatial sublime substance symbol temple tetractys thought tion transgression triangles unconscious unity universe Vathek Visions of Excess visual Vittone