Architectural Forms and Philosophical StructuresPeter Lang, 2003 - 276 pages Architectural Forms and Philosophical Structures examines architectural and architectonic forms as products of philosophical and epistemological structures in selected cultures and time periods, and analyzes architecture as a text of its culture. Relations between architectural forms and philosophical structures are explored in Western civilization, beginning in Egypt and Greece and culminating in twentieth-century Europe and America. Architecture, like all forms of artistic expression, is interwoven with the beliefs and the structures of knowledge of its culture. |
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Page 103
... substance . The intermediary form is a form which requires material to form a substance , such as the human soul , but has no causal relationship with the material . The lower form creates substance in combination with material , such ...
... substance . The intermediary form is a form which requires material to form a substance , such as the human soul , but has no causal relationship with the material . The lower form creates substance in combination with material , such ...
Page 106
... substance is continually in the process of the changing of states , as the geometrical basis of the architectural forms at San Carlo alle Quattro Fontane . Substance is a container for changing states , and not a state itself . The ...
... substance is continually in the process of the changing of states , as the geometrical basis of the architectural forms at San Carlo alle Quattro Fontane . Substance is a container for changing states , and not a state itself . The ...
Page 116
... substance , as a principle of order and unity , " expresses " through its own structure or the other of which it consists , all the other individual substances . It expresses them indirectly , through its own struc- ture , relations ...
... substance , as a principle of order and unity , " expresses " through its own structure or the other of which it consists , all the other individual substances . It expresses them indirectly , through its own struc- ture , relations ...
Contents
Architecture and Cosmology in Ancient Egypt | 5 |
Architecture and Cosmology in Ancient Greece | 35 |
Francesco Borromini and the Construction of Meaning | 51 |
Copyright | |
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Common terms and phrases
abstraction Amon Ancient Ancient Egypt architect architectural forms Athanasius Kircher Baroque architecture Bernardo Vittone body Cabinet of Doctor Caillois Carceri Carlo alle Quattro celestial chaos circle columns combination conception consciousness corresponds cosmology created cupola Cusanus darkness described divine Doctor Caligari dream earth Egypt Egyptian elements enacted Endless House Ennead experience Ficino Francesco Borromini Frederick Kiesler Freud geometrical Georges Bataille Gilles Deleuze goddess gods Gothic Guarini Guarino Guarini Hathor heavens Hermes hierarchy Horus human Ibid images infinite inner inscribed Jacques Lacan Kiesler Kircher labyrinth Lacan laceration lantern Leibniz light manifest material mathematical mind monad Monadology multiplicity nature Neoplatonic Osiris perception perspectival construction philosophical Piranesi Plato primordial principle process of creation psychophysiological space pyramid Quattro Fontane rational reality realm relation representation represented Rome sensation signifying structure soul spatial sublime substance symbol temple tetractys thought tion transgression triangles unconscious unity universe Vathek Visions of Excess visual Vittone