The Quarterly Review, Volume 34William Gifford, Sir John Taylor Coleridge, John Gibson Lockhart, Whitwell Elwin, William Macpherson, William Smith, John Murray, Rowland Edmund Prothero (Baron Ernle), George Walter Prothero John Murray, 1826 |
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... John Philip Kemble , Esquire , including a History of the Stage from the time of Gar- rick to the present period . By James Boaden , Esquire . 2. Reminiscences of Michael Kelly , of the King's Theatre , and Theatre Royal Drury Lane ...
... John Philip Kemble , Esquire , including a History of the Stage from the time of Gar- rick to the present period . By James Boaden , Esquire . 2. Reminiscences of Michael Kelly , of the King's Theatre , and Theatre Royal Drury Lane ...
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... John Philip Kemble , Esquire , including a History of the Stage from the time of Gar- rick to the present period . By James Boaden , Esquire . 2. Reminiscences of Michael Kelly , of the King's Theatre , and Theatre Royal Drury Lane ...
... John Philip Kemble , Esquire , including a History of the Stage from the time of Gar- rick to the present period . By James Boaden , Esquire . 2. Reminiscences of Michael Kelly , of the King's Theatre , and Theatre Royal Drury Lane ...
Page
... John Philip Kemble , Esquire , including a History of the Stage from the time of Gar- rick to the present period . By James Boaden , Esquire . 2. Reminiscences of Michael Kelly , of the King's Theatre , and Theatre Royal Drury Lane ...
... John Philip Kemble , Esquire , including a History of the Stage from the time of Gar- rick to the present period . By James Boaden , Esquire . 2. Reminiscences of Michael Kelly , of the King's Theatre , and Theatre Royal Drury Lane ...
Page 196
... John Philip Kemble , Es- quire , including a History of the Stage from the time of Gar- rick to the present period . By James Boaden , Esquire . 2 vols . London . 1825 . 2. Reminiscences of Michael Kelly , of the King's Theatre. 2. Remi ...
... John Philip Kemble , Es- quire , including a History of the Stage from the time of Gar- rick to the present period . By James Boaden , Esquire . 2 vols . London . 1825 . 2. Reminiscences of Michael Kelly , of the King's Theatre. 2. Remi ...
Page 197
William Gifford, Sir John Taylor Coleridge, John Gibson Lockhart, Whitwell Elwin, William Macpherson, William Smith, John Murray, Rowland Edmund Prothero (Baron Ernle), George Walter Prothero. 2 ... John Philip Kemble . 197.
William Gifford, Sir John Taylor Coleridge, John Gibson Lockhart, Whitwell Elwin, William Macpherson, William Smith, John Murray, Rowland Edmund Prothero (Baron Ernle), George Walter Prothero. 2 ... John Philip Kemble . 197.
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actor admiration æra afforded ancient Anglo-Saxon antique Antonio Canova appears Ariosto artists audience Battas beauty Boaden body British Canova century character chronicle considered Covent Garden D'Estrades Duke Dupin England English equal Europe excellence exertions eyes FAUST feel France French Garrick genius give grace Greece honour human improvement industry Ingulphus institutions Italian Italy John Kemble John Philip Kemble Julius Cæsar Kelly Kemble Kemble's King labour language less London Louvois luxury LXVII Malays manner manufacture Matthioli means ment mind modern nations nature never noble observed original palace performed perhaps person Petrarch Pignerol poet poetry possessed present produced racter reign rendered respect rival Royal Saxon sculpture seems Society spirit stage stanza statues Sumatra superiority talents Tasso taste theatre thing thought tion trade translation Turketul Ugo Foscolo verse Vortigern Wiffen woollen youth
Popular passages
Page 156 - O, what a noble mind is here o'erthrown! The courtier's, soldier's, scholar's, eye, tongue, sword; The expectancy and rose of the fair state, The glass of fashion and the mould of form, The observed of all observers, quite, quite down!
Page 92 - The other shape, If shape it might be called that shape had none Distinguishable in member, joint or limb; Or substance might be called that shadow seemed; For each seemed either; black it stood as night, Fierce as ten furies, terrible as Hell, And shook a dreadful dart; what seemed his head The likeness of a kingly crown had on...
Page 356 - O God ! that one might read the book of fate, And see the revolution of the times Make mountains level, and the continent, Weary of solid firmness, melt itself Into the sea : and, other times, to see The beachy girdle of the ocean Too wide for Neptune's hips...
Page 139 - Augustus at Rome was for building renown'd, And of marble he left what of brick he had found ; But is not our Nash, too, a very great master ? — He finds us all brick and he leaves us all plaster.
Page 250 - Fathom ; or to the terrible description of a sea-engagement, in which Roderick Random sits chained and exposed upon the poop, without the power of motion or exertion, during the carnage of a tremendous engagement. Upon many other occasions, Smollett's descriptions ascend to the sublime ; and, in general, there is an air of romance in his writings, which raises his narratives above the level and easy course of ordinary life. He was, like a preeminent poet of our own day, a searcher of dark bosoms,...
Page 249 - ... such, had it never crossed the press. And it is with concern we add our sincere belief, that the fine picture of frankness and generosity exhibited in that fictitious character has had as few imitators as the career of his follies. Let it not be supposed that we are indifferent to morality, because we treat with scorn that affectation which, while in common life it connives at the open practice of libertinism, pretends to detest the memory of an author who painted life as it was, with all its...
Page 219 - The True History of the State Prisoner, commonly called the Iron Mask...
Page 243 - More sweet than odours caught by him who sails Near spicy shores of Araby the blest, A thousand times more exquisitely sweet, The freight of holy feeling which we meet, In thoughtful moments, wafted by the gales From fields where good men walk, or bowers wherein they rest.