Words on Music: From Addison to BarzunJack Sullivan Ohio University Press, 1990 - 438 pages Features essays covering instrumental and vocal music from the eighteenth through the twentieth century. |
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Page 111
... Berlioz was the greatest of the Romantic composer - critics . He had the ardor of Schumann , Liszt , and Wagner ... Berlioz's main source of income . In Paris , his music brought notoriety but little financial reward , nor could he ...
... Berlioz was the greatest of the Romantic composer - critics . He had the ardor of Schumann , Liszt , and Wagner ... Berlioz's main source of income . In Paris , his music brought notoriety but little financial reward , nor could he ...
Page 174
... Berlioz with so very little trouble . Obscurity of meaning may harm an artist less than a seeming transparency ; to be shrouded in mist may mean remaining long misunderstood , but those who wish to under- stand will at least be thorough ...
... Berlioz with so very little trouble . Obscurity of meaning may harm an artist less than a seeming transparency ; to be shrouded in mist may mean remaining long misunderstood , but those who wish to under- stand will at least be thorough ...
Page 182
... Berlioz knew him only late in life . But how much less rich and complex is Weber's music , in spite of its nervous brilliance and dreaming poetry . Above all , Weber is much more mundane and more of a classicist ; he lacks Berlioz ...
... Berlioz knew him only late in life . But how much less rich and complex is Weber's music , in spite of its nervous brilliance and dreaming poetry . Above all , Weber is much more mundane and more of a classicist ; he lacks Berlioz ...
Contents
The Elusive Art Jack Sullivan | 3 |
Music into Words Jacques Barzun | 14 |
Three Diatribes George Bernard Shaw | 32 |
Copyright | |
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admiration artist audience Bach Bach's Barzun beauty Beethoven Berlioz Billy Boulez Brahms called century Chopin chords composer composition concert death Debussy Don Giovanni dramatic E. T. A. Hoffmann effect emotions essay expression Faust feeling French genius German give Glenn Gould Gluck H. L. Mencken Handel harmony Haydn hear heard heart ideas imagination inspired Italian Jacques Barzun Les Huguenots less listener Liszt literary literature living master means melody ment Meyerbeer mind movement Mozart music criticism musician nature never Ninth Symphony once opera orchestra passages passion Paul Rosenfeld perfect performance perhaps phrase piano pianoforte piece played poem poetic poetry produced quartet Reprint rhythm Richard Strauss romantic scene Schubert Schumann score seems sense Shaw singers sonata song soul sound spirit Strauss Stravinsky strings style Tchaikovsky theme thing thought tion tone translated violin Virgil Thomson voice Wagner whole words writing wrote York
References to this book
Maestros of the Pen: A History of Classical Music Criticism in America Mark N. Grant,Eric Friedheim No preview available - 1998 |