Words on Music: From Addison to BarzunJack Sullivan Ohio University Press, 1990 - 438 pages Features essays covering instrumental and vocal music from the eighteenth through the twentieth century. |
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Page 143
... Italy , he said with a mournful smile : " You compromise yourself when you praise me , a poor Italian , here in Berlin , in the capital of Sebastian Bach . " Meyerbeer was at that period a devoted follower of the Italian school ...
... Italy , he said with a mournful smile : " You compromise yourself when you praise me , a poor Italian , here in Berlin , in the capital of Sebastian Bach . " Meyerbeer was at that period a devoted follower of the Italian school ...
Page 256
... Italian opera has an added immediacy that comes from being contemporary with its subject matter . Readers of today may ... Italy . In so far as New York is concerned the singing together of two such admirable exponents of the art of bel ...
... Italian opera has an added immediacy that comes from being contemporary with its subject matter . Readers of today may ... Italy . In so far as New York is concerned the singing together of two such admirable exponents of the art of bel ...
Page 260
... Italian who could have composed " Schwesterlein . " No Russian could have pen- ned the dainty " Pierre et sa Mie ... Italians of today have not wholly forgotten the essentials of their native melody . Indeed , their composing betrays a ...
... Italian who could have composed " Schwesterlein . " No Russian could have pen- ned the dainty " Pierre et sa Mie ... Italians of today have not wholly forgotten the essentials of their native melody . Indeed , their composing betrays a ...
Contents
The Elusive Art Jack Sullivan | 3 |
Music into Words Jacques Barzun | 14 |
Three Diatribes George Bernard Shaw | 32 |
Copyright | |
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admiration artist audience Bach Bach's Barzun beauty Beethoven Berlioz Billy Boulez Brahms called century Chopin chords composer composition concert death Debussy Don Giovanni dramatic E. T. A. Hoffmann effect emotions essay expression Faust feeling French genius German give Glenn Gould Gluck H. L. Mencken Handel harmony Haydn hear heard heart ideas imagination inspired Italian Jacques Barzun Les Huguenots less listener Liszt literary literature living master means melody ment Meyerbeer mind movement Mozart music criticism musician nature never Ninth Symphony once opera orchestra passages passion Paul Rosenfeld perfect performance perhaps phrase piano pianoforte piece played poem poetic poetry produced quartet Reprint rhythm Richard Strauss romantic scene Schubert Schumann score seems sense Shaw singers sonata song soul sound spirit Strauss Stravinsky strings style Tchaikovsky theme thing thought tion tone translated violin Virgil Thomson voice Wagner whole words writing wrote York
References to this book
Maestros of the Pen: A History of Classical Music Criticism in America Mark N. Grant,Eric Friedheim No preview available - 1998 |