Words on Music: From Addison to BarzunJack Sullivan Ohio University Press, 1990 - 438 pages Features essays covering instrumental and vocal music from the eighteenth through the twentieth century. |
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Page 101
... ideas were current everywhere in a milder form , and were the end of an already considerable amount of eighteenth - century speculation . Mozart's early and devoutly Cath- olic horror at French liberal thought must surely have abated ...
... ideas were current everywhere in a milder form , and were the end of an already considerable amount of eighteenth - century speculation . Mozart's early and devoutly Cath- olic horror at French liberal thought must surely have abated ...
Page 152
... ideas flowed like a cataract — that he knew nothing of Beethoven's tortured wooing of beauty - that his first ... ideas . But Schubert never lacked ideas . Within the limits of his interests and curiosities he hatched more good ideas in ...
... ideas flowed like a cataract — that he knew nothing of Beethoven's tortured wooing of beauty - that his first ... ideas . But Schubert never lacked ideas . Within the limits of his interests and curiosities he hatched more good ideas in ...
Page 207
... ideas . To the general public these distinctions are not vivid , though it grasps the bearing of the words program ... ideas , of verbalized experience and imagination , that is at issue ; it is the role of ideas during Liszt's long life ...
... ideas . To the general public these distinctions are not vivid , though it grasps the bearing of the words program ... ideas , of verbalized experience and imagination , that is at issue ; it is the role of ideas during Liszt's long life ...
Contents
The Elusive Art Jack Sullivan | 3 |
Music into Words Jacques Barzun | 14 |
Three Diatribes George Bernard Shaw | 32 |
Copyright | |
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admiration artist audience Bach Bach's Barzun beauty Beethoven Berlioz Billy Boulez Brahms called century Chopin chords composer composition concert death Debussy Don Giovanni dramatic E. T. A. Hoffmann effect emotions essay expression Faust feeling French genius German give Glenn Gould Gluck H. L. Mencken Handel harmony Haydn hear heard heart ideas imagination inspired Italian Jacques Barzun Les Huguenots less listener Liszt literary literature living master means melody ment Meyerbeer mind movement Mozart music criticism musician nature never Ninth Symphony once opera orchestra passages passion Paul Rosenfeld perfect performance perhaps phrase piano pianoforte piece played poem poetic poetry produced quartet Reprint rhythm Richard Strauss romantic scene Schubert Schumann score seems sense Shaw singers sonata song soul sound spirit Strauss Stravinsky strings style Tchaikovsky theme thing thought tion tone translated violin Virgil Thomson voice Wagner whole words writing wrote York
References to this book
Maestros of the Pen: A History of Classical Music Criticism in America Mark N. Grant,Eric Friedheim No preview available - 1998 |