Words on Music: From Addison to BarzunJack Sullivan Ohio University Press, 1990 - 438 pages Features essays covering instrumental and vocal music from the eighteenth through the twentieth century. |
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Page 157
... never know how to finish with their praise of their own Franz Schubert ; when they are only among themselves , it does not seem as if they thought much of one or the other . But let us leave these things , and refresh ourselves with the ...
... never know how to finish with their praise of their own Franz Schubert ; when they are only among themselves , it does not seem as if they thought much of one or the other . But let us leave these things , and refresh ourselves with the ...
Page 158
... never able to come to an end , for the very best reasons — in order to leave the reader able to go on romancing for himself . How refreshing is this feeling of overflowing wealth ! With others we always tremble for the conclusion ...
... never able to come to an end , for the very best reasons — in order to leave the reader able to go on romancing for himself . How refreshing is this feeling of overflowing wealth ! With others we always tremble for the conclusion ...
Page 200
... never allowed to interfere with clarity ; singularity is never permitted to degenerate into an uncouth fantasticality ; his sculpturing never wants order ; the luxury of his ornamentation is never allowed to overload the chaste ...
... never allowed to interfere with clarity ; singularity is never permitted to degenerate into an uncouth fantasticality ; his sculpturing never wants order ; the luxury of his ornamentation is never allowed to overload the chaste ...
Contents
The Elusive Art Jack Sullivan | 3 |
Music into Words Jacques Barzun | 14 |
Three Diatribes George Bernard Shaw | 32 |
Copyright | |
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Common terms and phrases
admiration artist audience Bach Bach's Barzun beauty Beethoven Berlioz Billy Boulez Brahms called century Chopin chords composer composition concert death Debussy Don Giovanni dramatic E. T. A. Hoffmann effect emotions essay expression Faust feeling French genius German give Glenn Gould Gluck H. L. Mencken Handel harmony Haydn hear heard heart ideas imagination inspired Italian Jacques Barzun Les Huguenots less listener Liszt literary literature living master means melody ment Meyerbeer mind movement Mozart music criticism musician nature never Ninth Symphony once opera orchestra passages passion Paul Rosenfeld perfect performance perhaps phrase piano pianoforte piece played poem poetic poetry produced quartet Reprint rhythm Richard Strauss romantic scene Schubert Schumann score seems sense Shaw singers sonata song soul sound spirit Strauss Stravinsky strings style Tchaikovsky theme thing thought tion tone translated violin Virgil Thomson voice Wagner whole words writing wrote York
References to this book
Maestros of the Pen: A History of Classical Music Criticism in America Mark N. Grant,Eric Friedheim No preview available - 1998 |