Literary Criticism; an Introductory ReaderLionel Trilling Holt, Rinehart, and Winston, 1970 - Всего страниц: 629 |
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Стр. 107
... images . It is not to be considered as the effusion of real passion ; for passion runs not after remote allusions and obscure opinions . Passion plucks no berries from the myrtle and ivy , nor calls upon Arethuse and Mincius , nor tells ...
... images . It is not to be considered as the effusion of real passion ; for passion runs not after remote allusions and obscure opinions . Passion plucks no berries from the myrtle and ivy , nor calls upon Arethuse and Mincius , nor tells ...
Стр. 169
... images ; and above all from the aliena- tion , and , if I may hazard such an expression , the utter aloofness of the poet's own feelings , from those of which he is at once the painter and the analyst ; that though the very subject ...
... images ; and above all from the aliena- tion , and , if I may hazard such an expression , the utter aloofness of the poet's own feelings , from those of which he is at once the painter and the analyst ; that though the very subject ...
Стр. 181
... images , or ( which is equally , if not more than equally , the appropriate effect of strong excitement ) whatever ... image or incident exciting it . Such repetitions I admit to be a beauty of the highest kind ; as illustrated by Mr ...
... images , or ( which is equally , if not more than equally , the appropriate effect of strong excitement ) whatever ... image or incident exciting it . Such repetitions I admit to be a beauty of the highest kind ; as illustrated by Mr ...
Содержание
What Is Criticism? | 1 |
Ion | 29 |
The Republic Book X | 40 |
Авторские права | |
Не показаны другие разделы: 39
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action admiration Aeschylus aesthetic appears Aristotle artist Balzac beauty become better Byron called century character Comedy conception consciousness culture D. H. Lawrence dramatic effect Eliot emotion English epic Epic poetry essay Euripides existence experience expression F. R. Leavis fact feeling fiction French genius give Greek Homer human I. A. Richards ideas Iliad images imagination imitation intellectual interpretation judgment kind King Lear language less literary criticism literature Matthew Arnold means metaphor mind modern moral myth nature never novel object Odysseus Paradise Lost passions perhaps person philosophical Plato play pleasure plot poem poet poet's poetic poetry present produced prose reader reality reason relation sense Shakespeare social Sophocles soul speak spirit story style T. S. Eliot theory things thought tion tragedy true truth University verse whole words Wordsworth writing