Bloody Signifiers: A Body for a Word on the Renaissance Stage

abject alienated Amintor Andrea Annabella Antonio Arathusa Aspatia Atheist's Tragedie Balthazar Beaumont and Fletcher Bel-imperia Bellario betrays Bosola Bussy Bussy's Castabella Chapman characters Charlemont constructed conventional conventionally corporeal body Craterus culture D'Ambois D'amville Daniel dead deadening death desire discloses Duchess Dvtchesse of Malfy Evadne experience father Ferdinand ghost Giovanni haue heart Hercules Hieronimo Horatio II.i III.i Imaginary incest instinctual IV.i IV.ii Jacques Lacan John Ford Julia Kristeva king Kristeva Kyd's play Lacan lacking language linguistic live loue lycanthropy madness Maids Tragedie Megra Montsurry murder myth mythic passion perceives Pharamond Philaster Philaster's Philotas's playlet political pre-verbal psychic Psychoanalysis refuses Renaissance plays Renaissance stage representation represents Richard McCabe rival stories says ſelfe semiotic ſhall Shee's a Whore signify social body social identity society Spanish Tragedie speak spectator Symbolic order Tamyra theſe Tis Pitty Shee's tongue torture Tragedie of Philotas usurpation violated violence voice words