FATHER IS COMING. The clock is on the stroke of six, Sweep up the hearth, and mend the fire, The wild night-wind is blowing cold, 'Tis dreary crossing o'er the wold. He is crossing o'er the wold apace, For father's heart is stout and true He makes all toil, all hardship light; So very slow to blame! Folks need not be unkind, austere, Nay, do not close the shutters, child; The little window looks, and he Can see it shining plain. I've heard him say he loves to mark The cheerful firelight through the dark. And we'll do all that father likes; His wishes are so few. Would they were more! that every hour I'm sure it makes a happy day, I know he's coming by this sign, See how he laughs and crows and stares! He's father's self in face and limb, And father's heart is strong in him. Hark! hark! I hear his footsteps now; He's through the garden gate; Run, little Bess, and ope the door, And do not let him wait. Shout, baby, shout! and clap thy hands, For father on the threshold stands. CAROLINE ANNE SOUTHEY. No English poetess has written sweeter, or has touched more tenderly the cords of the heart, or has gone down deeper into its well-springs, than Caroline Anne Bowles, now Mrs. Southey. She was born about the close of the last century. Her father was vicar of a parish in Northamptonshire, and he devoted great attention to his daughter's education, who early showed great marks of genius, and especially a fondness for poetry. This was assiduously cultivated by her elder brother, William Lisle Bowles, himself a master of the Christian lyre; and she so profited by these advantages and encouragements, that in 1820 she published her first work, "Ellen Fitzarthur, a Metrical Tale;" and shortly after, "The Widow's Tale, and other Poems." These were followed by "Birthday and other Poems;" "Solitary Hours, Poems;" "Tales of the Factories ;" and "Chapters on Churchyards." In 1839, she became the second wife of the poet Southey, to whose declining and infirm age she ministered with "the tenderness and sweet sympathy which kindred taste, admiring affection, and Christian love inspired." He died on the 21st of May, 1843, since which, I believe, Mrs. Southey has written but little. "No man," says Mr. Moir, "could have written such poetry as Mrs. Southey; at least no man has ever yet done so; it breathes of a purer ether, a diviner air' than that respired by the soi-disant lords of the creation; and in its freedom from all moral blemish and blot-from all harshness and austerity of sentiment-from all the polluting taints which are apt to cleave to human thought, and its expansive sympathy with all that is holy, just, and of good report, it elevates the heart even more than it delights the fancy. We doubt if the English language possesses any thing more profoundly pathetic than Mrs. Southey's four tales, 'The Young Grey Head,' 'The Murder Glen,' 'Walter and William,' and 'The Evening Walk;' and I envy not the heart-construction of that family group of which the father could read these compositions aloud to his children either himself with an unfaltering voice, or without exciting their tears." The following lyrics need no commendation from the critic; they reach every heart. It has been well said that "the heart of no Englishman was ever more certainly in its right place than that of Caroline Bowles." MARINER'S HYMN. Launch thy bark, mariner! Steer thy course steadily, Christian, steer home! Look to the weather bow, Shallows may ground thee. What of the night, watchman? No land yet,-all's right." Danger may be At an hour when all seemeth How gains the leak so fast? Now the ship rights; Hurra! the harbor's near,— Lo! the red lights. Slacken not sail yet At inlet or island; Straight for the beacon steer, Straight for the high land; Crowd all thy canvas on, Cut through the foam;- I NEVER CAST A FLOWER AWAY. I never cast a flower away, The gift of one who cared for me- I never look'd a last adieu To things familiar, but my heart I never spoke the word "Farewell," The following is an analysis of one of her most pathetic tales, entitled “The Young Gray Head." It opens with a cottager warning his wife to keep the children from school that morning, from the signs of an impending storm: THE YOUNG GRAY HEAD. I'm thinking that to-night, if not before, There'll be wild work. Dost hear old Chewton roar? As threats, the waters will be out anon. Best let the young ones bide from school to-day. The children themselves join in this request; but the mother resolves that they should set out-the two girls, Lizzy and Jenny, the one five and the other seven. As the dame's will was law; so, One last fond kiss "God bless my little maids!" the father said; Prepared for their journey, they depart, with the mother's admonitions to the elder,― "Now, mind and bring "Don't stay Jenny safe home," the mother said. If not o'erflowed, the stepping-stones will be. "Be sure," said she, "To wrap it round, and knot it carefully (Like this) when you come home-just leaving free Good will to school, and then good right to play." The mother watched them as they went down the lane, overburdened with something like a foreboding of evil which she strove to overcome; but could not during the day quite bear up against her own thoughts, more especially as the threatened storm did at length truly set in. His labor done, the husband makes his three miles way homeward, until his cottage coming into view, all its pleasant associations of spring, summer, and autumn, with its thousand family delights, rush on his heart: There was a treasure hidden in his hat A plaything for his young ones. He had found When he should yield, by guess and kiss and prayer, Out rushes his fondling dog Tinker, but no little faces greet him as wont at the threshold; and to his hurried question, "Are they come?-'twas no." To throw his tools down, hastily unhook That almost choked him, and was scarcely heard, To where a fearful foresight led him on. A neighbor accompanies him; and they strike into the track which the children should have taken in their way back-now calling aloud on them through the pitchy darkness-and now by the lantern-light scrutinizing "thicket, bole, and nook," till the dog, brushing past them with a bark, shows them that he was on their track: I know that whine-The old dog's found them, Mark." Toward the old crazy foot-bridge. It was gone! And all his dull contracted light could show Was the black, void, and dark swollen stream below. "Yet there's life somewhere-more than Tinker's whine- "Oh, dear!" And a low sob came faintly on the ear, "My babes! my lambkins!" was the father's cry- 'Twas Lizzy's. There she crouch'd, with face as white, Than sheeted corpse. The pale blue lips drawn tight, And eyes on some dark object underneath, * * They lifted her from out her watery bed Its covering gone, the lovely little head * And one small hand. The mother's shawl was tied, As was her last injunction-"fast and warm". |