Criticism: The Foundations of Modern Literary JudgmentMark Schorer, Josephine Miles, Gordon McKenzie Harcourt, Brace, 1948 - Всего страниц: 553 |
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Стр. viii
... appears now , in the present , relatively recent essay on " Restoration Comedy , " to be moving toward the category of Source . The work of T. S. Eliot , much of which derives from the author's intellectual program , might well appear ...
... appears now , in the present , relatively recent essay on " Restoration Comedy , " to be moving toward the category of Source . The work of T. S. Eliot , much of which derives from the author's intellectual program , might well appear ...
Стр. 61
... appear in the main conflict , it appears in its occasion . You may say that , while Iago and Macbeth have evil purposes , neither the act of Orestes nor the vengeance of the Furies , neither Antigone's breach of the edict nor even ...
... appear in the main conflict , it appears in its occasion . You may say that , while Iago and Macbeth have evil purposes , neither the act of Orestes nor the vengeance of the Furies , neither Antigone's breach of the edict nor even ...
Стр. 358
... appear to many people as merely a piece of special case - making , specious rather than convincing . But there are reasons for thinking that the overstatement which I propose may light up some elements in the nature of poetry which tend ...
... appear to many people as merely a piece of special case - making , specious rather than convincing . But there are reasons for thinking that the overstatement which I propose may light up some elements in the nature of poetry which tend ...
Содержание
WILLIAM WORDSWORTH | 30 |
HENRY JAMES | 44 |
ANDREW CECIL BRADLEY Hegels Theory of Tragedy | 55 |
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Criticism: The Foundations of Modern Literary Judgment Mark Schorer,Josephine Miles,Gordon McKenzie Просмотр фрагмента - 1948 |
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action admiration appear artist beauty become beginning believe better called cause character comes common consider course criticism drama effect English equally example existence experience expression fact feeling follow force genius give given hand human idea imagination imitation important interest James kind knowledge language learning least less literature living look manner matter means merely mind moral nature never novel object observed once original particular passions perhaps persons play pleasure plot poem poet poetic poetry possible present principle produced prose question reader reason relation represent seems sense social speak spirit story tell things thought tion tragedy true truth turn understanding universal verse whole write