Criticism: The Foundations of Modern Literary JudgmentMark Schorer, Josephine Miles, Gordon McKenzie Harcourt, Brace, 1948 - Всего страниц: 553 |
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Стр. 97
... artist and classicism with society ; classicism being the political concept of art to which the artist is expected to conform . It may be as well to forestall at once the criticism that on this showing the artist is merely the ...
... artist and classicism with society ; classicism being the political concept of art to which the artist is expected to conform . It may be as well to forestall at once the criticism that on this showing the artist is merely the ...
Стр. 98
... artist . To the degree in which he becomes extravert the artist , we would say , ceases to be , in any essential sense of the word , an artist . Now admittedly there is much in the process of producing a work of art which in- volves ...
... artist . To the degree in which he becomes extravert the artist , we would say , ceases to be , in any essential sense of the word , an artist . Now admittedly there is much in the process of producing a work of art which in- volves ...
Стр. 177
... artist and the neurotic Freud is , of course , aware ; he tells us that the artist is not like the neurotic in that he knows how to find a way back from the world of imagination and " once more get a firm foothold in reality . " This ...
... artist and the neurotic Freud is , of course , aware ; he tells us that the artist is not like the neurotic in that he knows how to find a way back from the world of imagination and " once more get a firm foothold in reality . " This ...
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Criticism: The Foundations of Modern Literary Judgment Mark Schorer,Josephine Miles,Gordon McKenzie Просмотр фрагмента - 1948 |
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action admiration aesthetic appears Aristotle artist attitude beauty believe Ben Jonson blank verse called character classical comedy conscious criticism delight divine drama Edith Wharton effect emotion English Epic poetry essay example experience expression fact feeling fiction Freud genius give Hegel Henry James Homer human I. A. Richards idea imagination imitation interest James kind language less literary literature living Lycidas means ment merely metaphor metre Milton mind modern moral nature never novel novelist object passion perhaps persons philosophical Plato play pleasure plot poem Poesie poet poet's poetic poetry present prose reader reason Restoration comedy rhyme romanticism Sacred Fount scene seems sense Shakespeare social Sophocles soul speak spirit stanza story style Surrealists T. S. Eliot things thought tion tragedy tragic true truth ture universal verse whole words write