Criticism: The Foundations of Modern Literary JudgmentMark Schorer, Josephine Miles, Gordon McKenzie Harcourt, Brace, 1948 - Всего страниц: 553 |
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Стр. 263
... beauty to an impression of the infinite involved in the identification of our being in absolute spirit . In the least element of beauty we have a total intuition of the whole world . Every artist is a kind of pantheist . Now it is quite ...
... beauty to an impression of the infinite involved in the identification of our being in absolute spirit . In the least element of beauty we have a total intuition of the whole world . Every artist is a kind of pantheist . Now it is quite ...
Стр. 280
... beauty here for the first time in our enquiry : beauty at which a novelist should never aim , though he fails if he does not achieve it . I will conduct beauty to her proper place later on . Meanwhile please accept her as part of a ...
... beauty here for the first time in our enquiry : beauty at which a novelist should never aim , though he fails if he does not achieve it . I will conduct beauty to her proper place later on . Meanwhile please accept her as part of a ...
Стр. 444
... beauty and deformity must be the perfection of our mental taste ; nor can a man be satisfied with himself while he suspects , that any excellence or blemish in a discourse has passed him unobserved . In this case , the perfection of the ...
... beauty and deformity must be the perfection of our mental taste ; nor can a man be satisfied with himself while he suspects , that any excellence or blemish in a discourse has passed him unobserved . In this case , the perfection of the ...
Содержание
WILLIAM WORDSWORTH | 30 |
HENRY JAMES | 44 |
ANDREW CECIL BRADLEY Hegels Theory of Tragedy | 55 |
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Criticism: The Foundations of Modern Literary Judgment Mark Schorer,Josephine Miles,Gordon McKenzie Просмотр фрагмента - 1948 |
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action admiration appear artist beauty become beginning believe better called cause character comes common consider course criticism drama effect English equally example existence experience expression fact feeling follow force genius give given hand human idea imagination imitation important interest James kind knowledge language learning least less literature living look manner matter means merely mind moral nature never novel object observed once original particular passions perhaps persons play pleasure plot poem poet poetic poetry possible present principle produced prose question reader reason relation represent seems sense social speak spirit story tell things thought tion tragedy true truth turn understanding universal verse whole write