Criticism: The Foundations of Modern Literary JudgmentMark Schorer, Josephine Miles, Gordon McKenzie Harcourt, Brace, 1948 - Всего страниц: 553 |
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Стр. 68
... beginning to go to the bad . All this shot through my mind as I sat down , being uncomfortable , like most people , at travelling with fellow passengers unless I have somehow or other accounted for them . Then I looked at the man . He ...
... beginning to go to the bad . All this shot through my mind as I sat down , being uncomfortable , like most people , at travelling with fellow passengers unless I have somehow or other accounted for them . Then I looked at the man . He ...
Стр. 203
... beginning , a middle , and an end . A beginning is that which does not itself follow anything by causal necessity , but after which something naturally is or comes to be . An end , on the contrary , is that which itself naturally ...
... beginning , a middle , and an end . A beginning is that which does not itself follow anything by causal necessity , but after which something naturally is or comes to be . An end , on the contrary , is that which itself naturally ...
Стр. 356
... beginning of this chapter - the complete initial portrait followed by events which confirm the portrait and the emergence of the complete character from the action - we may note that a third method is frequently distinguished by ...
... beginning of this chapter - the complete initial portrait followed by events which confirm the portrait and the emergence of the complete character from the action - we may note that a third method is frequently distinguished by ...
Содержание
WILLIAM WORDSWORTH | 30 |
HENRY JAMES | 44 |
ANDREW CECIL BRADLEY Hegels Theory of Tragedy | 55 |
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Criticism: The Foundations of Modern Literary Judgment Mark Schorer,Josephine Miles,Gordon McKenzie Просмотр фрагмента - 1948 |
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action admiration appear artist beauty become beginning believe better called cause character comes common consider course criticism drama effect English equally example existence experience expression fact feeling follow force genius give given hand human idea imagination imitation important interest James kind knowledge language learning least less literature living look manner matter means merely mind moral nature never novel object observed once original particular passions perhaps persons play pleasure plot poem poet poetic poetry possible present principle produced prose question reader reason relation represent seems sense social speak spirit story tell things thought tion tragedy true truth turn understanding universal verse whole write