Criticism: The Foundations of Modern Literary JudgmentMark Schorer, Josephine Miles, Gordon McKenzie Harcourt, Brace, 1948 - Всего страниц: 553 |
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Стр. 211
... beginning , end , or division of a sentence ; such , however , that it › cannot correctly stand by itself at the beginning of a sentence , —as μέυ , ἤτοι , δέ . 8. A Noun is a composite significant sound , not marking time , of which no ...
... beginning , end , or division of a sentence ; such , however , that it › cannot correctly stand by itself at the beginning of a sentence , —as μέυ , ἤτοι , δέ . 8. A Noun is a composite significant sound , not marking time , of which no ...
Стр. 356
... beginning of this chapter - the complete initial portrait followed by events which confirm the portrait and the emergence of the complete character from the action - we may note that a third method is frequently distinguished by ...
... beginning of this chapter - the complete initial portrait followed by events which confirm the portrait and the emergence of the complete character from the action - we may note that a third method is frequently distinguished by ...
Стр. 517
... beginning has been indicated above , but only a beginning . What little can be done shows already that most critical dogmas of the past are either false or nonsense . A little knowledge is not here a danger , but clears the air in a ...
... beginning has been indicated above , but only a beginning . What little can be done shows already that most critical dogmas of the past are either false or nonsense . A little knowledge is not here a danger , but clears the air in a ...
Содержание
WILLIAM WORDSWORTH | 30 |
HENRY JAMES | 44 |
ANDREW CECIL BRADLEY Hegels Theory of Tragedy | 55 |
Не показаны другие разделы: 40
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Criticism: The Foundations of Modern Literary Judgment Mark Schorer,Josephine Miles,Gordon McKenzie Просмотр фрагмента - 1948 |
Часто встречающиеся слова и выражения
action admiration appear artist beauty become beginning believe better called cause character comes common consider course criticism drama effect English equally example existence experience expression fact feeling follow force genius give given hand human idea imagination imitation important interest James kind knowledge language learning least less literature living look manner matter means merely mind moral nature never novel object observed once original particular passions perhaps persons play pleasure plot poem poet poetic poetry possible present principle produced prose question reader reason relation represent seems sense social speak spirit story tell things thought tion tragedy true truth turn understanding universal verse whole write