Criticism: The Foundations of Modern Literary JudgmentMark Schorer, Josephine Miles, Gordon McKenzie Harcourt, Brace, 1948 - Всего страниц: 553 |
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Стр. 80
... believe . Their so - called tragedies do not and cannot end with one of those splendid calamities which in Shakespeare seem to reverberate through the universe , because they cannot believe that the universe trembles when their love is ...
... believe . Their so - called tragedies do not and cannot end with one of those splendid calamities which in Shakespeare seem to reverberate through the universe , because they cannot believe that the universe trembles when their love is ...
Стр. 259
... believe in a God , so you begin to believe that man is a god . You don't believe in Heaven , so you begin to believe in a heaven on earth . In other words , you get romanticism . The concepts that are right and proper in their own ...
... believe in a God , so you begin to believe that man is a god . You don't believe in Heaven , so you begin to believe in a heaven on earth . In other words , you get romanticism . The concepts that are right and proper in their own ...
Стр. 452
... believe what they do not understand ; fourthly , they will believe any thing at all , provided they are under no obligation to believe it ; fifthly , they love to take a new road , even when that road leads no where ; sixthly , he was ...
... believe what they do not understand ; fourthly , they will believe any thing at all , provided they are under no obligation to believe it ; fifthly , they love to take a new road , even when that road leads no where ; sixthly , he was ...
Содержание
WILLIAM WORDSWORTH | 30 |
HENRY JAMES | 44 |
ANDREW CECIL BRADLEY Hegels Theory of Tragedy | 55 |
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Criticism: The Foundations of Modern Literary Judgment Mark Schorer,Josephine Miles,Gordon McKenzie Просмотр фрагмента - 1948 |
Часто встречающиеся слова и выражения
action admiration appear artist beauty become beginning believe better called cause character comes common consider course criticism drama effect English equally example existence experience expression fact feeling follow force genius give given hand human idea imagination imitation important interest James kind knowledge language learning least less literature living look manner matter means merely mind moral nature never novel object observed once original particular passions perhaps persons play pleasure plot poem poet poetic poetry possible present principle produced prose question reader reason relation represent seems sense social speak spirit story tell things thought tion tragedy true truth turn understanding universal verse whole write