Criticism: The Foundations of Modern Literary JudgmentMark Schorer, Josephine Miles, Gordon McKenzie Harcourt, Brace, 1948 - Всего страниц: 553 |
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Стр. 80
... believe . Their so - called tragedies do not and cannot end with one of those splen- did calamities which in Shakespeare seem to reverberate through the universe , because they cannot believe that the universe trembles when their love ...
... believe . Their so - called tragedies do not and cannot end with one of those splen- did calamities which in Shakespeare seem to reverberate through the universe , because they cannot believe that the universe trembles when their love ...
Стр. 259
... believe in a God , so you begin to believe that man is a god . You don't believe in Heaven , so you begin to believe in a heaven on earth . In other words , you get romanticism . The concepts that are right and proper in their own ...
... believe in a God , so you begin to believe that man is a god . You don't believe in Heaven , so you begin to believe in a heaven on earth . In other words , you get romanticism . The concepts that are right and proper in their own ...
Стр. 452
... believe what they do not understand ; fourthly , they will believe any thing at all , provided they are under no obligation to believe it ; fifthly , they love to take a new road , even when that road leads no where ; sixthly , he was ...
... believe what they do not understand ; fourthly , they will believe any thing at all , provided they are under no obligation to believe it ; fifthly , they love to take a new road , even when that road leads no where ; sixthly , he was ...
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Criticism: The Foundations of Modern Literary Judgment Mark Schorer,Josephine Miles,Gordon McKenzie Просмотр фрагмента - 1948 |
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action admiration aesthetic appears Aristotle artist attitude beauty believe Ben Jonson blank verse called character classical comedy conscious criticism delight divine drama Edith Wharton effect emotion English Epic poetry essay example experience expression fact feeling fiction Freud genius give Hegel Henry James Homer human I. A. Richards idea imagination imitation interest James kind language less literary literature living Lycidas means ment merely metaphor metre Milton mind modern moral nature never novel novelist object passion perhaps persons philosophical Plato play pleasure plot poem Poesie poet poet's poetic poetry present prose reader reason Restoration comedy rhyme romanticism Sacred Fount scene seems sense Shakespeare social Sophocles soul speak spirit stanza story style Surrealists T. S. Eliot things thought tion tragedy tragic true truth ture universal verse whole words write