Criticism: The Foundations of Modern Literary JudgmentMark Schorer, Josephine Miles, Gordon McKenzie Harcourt, Brace, 1948 - Всего страниц: 553 |
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Стр. 121
... cause of every other event . In all causal relationships there are essential causes and nonessential factors . Our problem , in a deterministic apprehension of the universe , is to find the essential factors and understand the way in ...
... cause of every other event . In all causal relationships there are essential causes and nonessential factors . Our problem , in a deterministic apprehension of the universe , is to find the essential factors and understand the way in ...
Стр. 176
... cause for the fear , though it has nothing at all to do with what is or is not in the street ; the cause is within the patient and the process of the therapy will be to discover , by gradual steps , what this real cause is and so free ...
... cause for the fear , though it has nothing at all to do with what is or is not in the street ; the cause is within the patient and the process of the therapy will be to discover , by gradual steps , what this real cause is and so free ...
Стр. 280
... cause and effect , and the final sense ( if the plot has been a fine one ) will not be of clues or chains , but of something aesthetically compact , something which might have been shown by the novelist straight away , only if he had ...
... cause and effect , and the final sense ( if the plot has been a fine one ) will not be of clues or chains , but of something aesthetically compact , something which might have been shown by the novelist straight away , only if he had ...
Содержание
WILLIAM WORDSWORTH | 30 |
HENRY JAMES | 44 |
ANDREW CECIL BRADLEY Hegels Theory of Tragedy | 55 |
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Criticism: The Foundations of Modern Literary Judgment Mark Schorer,Josephine Miles,Gordon McKenzie Просмотр фрагмента - 1948 |
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action admiration appear artist beauty become beginning believe better called cause character comes common consider course criticism drama effect English equally example existence experience expression fact feeling follow force genius give given hand human idea imagination imitation important interest James kind knowledge language learning least less literature living look manner matter means merely mind moral nature never novel object observed once original particular passions perhaps persons play pleasure plot poem poet poetic poetry possible present principle produced prose question reader reason relation represent seems sense social speak spirit story tell things thought tion tragedy true truth turn understanding universal verse whole write