Criticism: The Foundations of Modern Literary JudgmentMark Schorer, Josephine Miles, Gordon McKenzie Harcourt, Brace, 1948 - Всего страниц: 553 |
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Стр. 202
... character determines men's qualities , but it is by their actions that they are happy or the reverse . Dramatic action , therefore , is not with a view to the representation of character : character comes in as subsidiary to the actions ...
... character determines men's qualities , but it is by their actions that they are happy or the reverse . Dramatic action , therefore , is not with a view to the representation of character : character comes in as subsidiary to the actions ...
Стр. 356
... character to express completely and effectively his states of mind with reference to the given circumstances . No ... character portrayal is possible for the fiction writer at all : character is a process not a state , and the truth ...
... character to express completely and effectively his states of mind with reference to the given circumstances . No ... character portrayal is possible for the fiction writer at all : character is a process not a state , and the truth ...
Стр. 357
... character as bring out aspects of it which hither to events had not conspired to release . This is a very different thing from the formal conversion of a villain to a reformed character . A character is not fully revealed until brought ...
... character as bring out aspects of it which hither to events had not conspired to release . This is a very different thing from the formal conversion of a villain to a reformed character . A character is not fully revealed until brought ...
Содержание
WILLIAM WORDSWORTH | 30 |
HENRY JAMES | 44 |
ANDREW CECIL BRADLEY Hegels Theory of Tragedy | 55 |
Не показаны другие разделы: 40
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Criticism: The Foundations of Modern Literary Judgment Mark Schorer,Josephine Miles,Gordon McKenzie Просмотр фрагмента - 1948 |
Часто встречающиеся слова и выражения
action admiration appear artist beauty become beginning believe better called cause character comes common consider course criticism drama effect English equally example existence experience expression fact feeling follow force genius give given hand human idea imagination imitation important interest James kind knowledge language learning least less literature living look manner matter means merely mind moral nature never novel object observed once original particular passions perhaps persons play pleasure plot poem poet poetic poetry possible present principle produced prose question reader reason relation represent seems sense social speak spirit story tell things thought tion tragedy true truth turn understanding universal verse whole write