Criticism: The Foundations of Modern Literary JudgmentMark Schorer, Josephine Miles, Gordon McKenzie Harcourt, Brace, 1948 - Всего страниц: 553 |
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Стр. 240
... common to more , and the more common the more natural . To prove this , they instance in the best of comical characters , Falstaff . There are many men resembling him ; old , fat , merry , cowardly , drunken , amorous , vain , and lying ...
... common to more , and the more common the more natural . To prove this , they instance in the best of comical characters , Falstaff . There are many men resembling him ; old , fat , merry , cowardly , drunken , amorous , vain , and lying ...
Стр. 441
... common sense ; there is certainly a species of common sense which opposes it , at least serves to modify and restrain it . Whoever would assert an equality of genius and elegance between Ogilby and Milton , or Bunyan and Addison , would ...
... common sense ; there is certainly a species of common sense which opposes it , at least serves to modify and restrain it . Whoever would assert an equality of genius and elegance between Ogilby and Milton , or Bunyan and Addison , would ...
Стр. 453
... common use : finding in Dryden honey redolent of Spring , an expression that reaches the utmost limits of our language , Gray drove it a little more beyond apprehension , by making gales to be redolent of joy and youth . 1 Of the Ode on ...
... common use : finding in Dryden honey redolent of Spring , an expression that reaches the utmost limits of our language , Gray drove it a little more beyond apprehension , by making gales to be redolent of joy and youth . 1 Of the Ode on ...
Содержание
WILLIAM WORDSWORTH | 30 |
HENRY JAMES | 44 |
ANDREW CECIL BRADLEY Hegels Theory of Tragedy | 55 |
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Criticism: The Foundations of Modern Literary Judgment Mark Schorer,Josephine Miles,Gordon McKenzie Просмотр фрагмента - 1948 |
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action admiration appear artist beauty become beginning believe better called cause character comes common consider course criticism drama effect English equally example existence experience expression fact feeling follow force genius give given hand human idea imagination imitation important interest James kind knowledge language learning least less literature living look manner matter means merely mind moral nature never novel object observed once original particular passions perhaps persons play pleasure plot poem poet poetic poetry possible present principle produced prose question reader reason relation represent seems sense social speak spirit story tell things thought tion tragedy true truth turn understanding universal verse whole write