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Стр. 216
We must also consider by whom it is said or done , to whom , when , by what means , or for what end ; whether , for instance , it be to secure a greater good , or avert a greater evil . 9. Other difficulties may be resolved by due ...
We must also consider by whom it is said or done , to whom , when , by what means , or for what end ; whether , for instance , it be to secure a greater good , or avert a greater evil . 9. Other difficulties may be resolved by due ...
Стр. 271
He had only one type of drama to consider ; he could work entirely within the " categories " of that drama ; he did not have to consider or criticize the religious , ethical or artistic prejudices of his race .
He had only one type of drama to consider ; he could work entirely within the " categories " of that drama ; he did not have to consider or criticize the religious , ethical or artistic prejudices of his race .
Стр. 534
Anyway , consider how much better my one - two - three arrangement is than was the opining salutation in Brutus ' speech : " Romans , countrymen , lovers . " He is an orator - but because you of England have thought the untrustworthy ...
Anyway , consider how much better my one - two - three arrangement is than was the opining salutation in Brutus ' speech : " Romans , countrymen , lovers . " He is an orator - but because you of England have thought the untrustworthy ...
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Содержание
WILLIAM WORDSWORTH | 30 |
HENRY JAMES | 44 |
ANDREW CECIL BRADLEY Hegels Theory of Tragedy | 55 |
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Другие издания - Просмотреть все
Criticism: The Foundations of Modern Literary Judgment Mark Schorer,Josephine Miles,Gordon McKenzie Просмотр фрагмента - 1948 |
Часто встречающиеся слова и выражения
action admiration appear artist beauty become beginning believe better called cause character comes common consider course criticism drama effect English equally example existence experience expression fact feeling follow force genius give given hand human idea imagination imitation important interest James kind knowledge language learning least less literature living look manner matter means merely mind moral nature never novel object observed once original particular passions perhaps persons play pleasure plot poem poet poetic poetry possible present principle produced prose question reader reason relation represent seems sense social speak spirit story tell things thought tion tragedy true truth turn understanding universal verse whole write