Criticism: The Foundations of Modern Literary JudgmentMark Schorer, Josephine Miles, Gordon McKenzie Harcourt, Brace, 1948 - Всего страниц: 553 |
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Стр. 51
... course , will ever take the place of the good old fashion of " liking " a work of art or not liking it : the most improved criti- cism will not abolish that primitive , that ulti- mate test . I mention this to guard myself from the ...
... course , will ever take the place of the good old fashion of " liking " a work of art or not liking it : the most improved criti- cism will not abolish that primitive , that ulti- mate test . I mention this to guard myself from the ...
Стр. 135
... course , is not the same thing as saying that these changes are scientifically determined ) . But no such scientific measure- ment of the resulting changes in the social and spiritual superstructure of life is possible . The changes ...
... course , is not the same thing as saying that these changes are scientifically determined ) . But no such scientific measure- ment of the resulting changes in the social and spiritual superstructure of life is possible . The changes ...
Стр. 176
... course , has been dealing with this reality all along , but in the wrong way . For Freud there are two ways of dealing with external reality . One is practical , effective , positive ; this is the way of the con- scious self , of the ...
... course , has been dealing with this reality all along , but in the wrong way . For Freud there are two ways of dealing with external reality . One is practical , effective , positive ; this is the way of the con- scious self , of the ...
Содержание
PART ONE SOURCE | 3 |
EDWARD YOUNG Conjectures on Original Composition | 12 |
WILLIAM WORDSWORTH Observations Prefixed to Lyrical Ballads | 30 |
Не показаны другие разделы: 37
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Criticism: The Foundations of Modern Literary Judgment Mark Schorer,Josephine Miles,Gordon McKenzie Просмотр фрагмента - 1948 |
Часто встречающиеся слова и выражения
action admiration aesthetic appears Aristotle artist attitude beauty believe Ben Jonson blank verse called character classical comedy conscious criticism delight divine drama Edith Wharton effect emotion English Epic poetry essay example experience expression fact feeling fiction Freud genius give Hegel Henry James Homer human I. A. Richards idea imagination imitation interest James kind language less literary literature living Lycidas means ment merely metaphor metre Milton mind modern moral nature never novel novelist object passion perhaps persons philosophical Plato play pleasure plot poem Poesie poet poet's poetic poetry present prose reader reason Restoration comedy rhyme romanticism Sacred Fount scene seems sense Shakespeare social Sophocles soul speak spirit stanza story style Surrealists T. S. Eliot taste things thought tion tragedy tragic true truth ture verse whole words write