Criticism: The Foundations of Modern Literary JudgmentMark Schorer, Josephine Miles, Gordon McKenzie Harcourt, Brace, 1948 - Всего страниц: 553 |
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Стр. 51
... course , will ever take the place of the good old fashion of " liking " a work of art or not liking it : the most improved criticism will not abolish that primitive , that ultimate test . I mention this to guard myself from the ...
... course , will ever take the place of the good old fashion of " liking " a work of art or not liking it : the most improved criticism will not abolish that primitive , that ultimate test . I mention this to guard myself from the ...
Стр. 135
... course , is not the same thing as saying that these changes are scientifically determined ) . But no such scientific measurement of the resulting changes in the social and spiritual superstructure of life is possible . The changes take ...
... course , is not the same thing as saying that these changes are scientifically determined ) . But no such scientific measurement of the resulting changes in the social and spiritual superstructure of life is possible . The changes take ...
Стр. 176
... course , has been dealing with this reality all along , but in the wrong way . For Freud there are two ways of dealing with external reality . One is practical , effective , positive ; this is the way of the conscious self , of the ego ...
... course , has been dealing with this reality all along , but in the wrong way . For Freud there are two ways of dealing with external reality . One is practical , effective , positive ; this is the way of the conscious self , of the ego ...
Содержание
WILLIAM WORDSWORTH | 30 |
HENRY JAMES | 44 |
ANDREW CECIL BRADLEY Hegels Theory of Tragedy | 55 |
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Criticism: The Foundations of Modern Literary Judgment Mark Schorer,Josephine Miles,Gordon McKenzie Просмотр фрагмента - 1948 |
Часто встречающиеся слова и выражения
action admiration appear artist beauty become beginning believe better called cause character comes common consider course criticism drama effect English equally example existence experience expression fact feeling follow force genius give given hand human idea imagination imitation important interest James kind knowledge language learning least less literature living look manner matter means merely mind moral nature never novel object observed once original particular passions perhaps persons play pleasure plot poem poet poetic poetry possible present principle produced prose question reader reason relation represent seems sense social speak spirit story tell things thought tion tragedy true truth turn understanding universal verse whole write