Criticism: The Foundations of Modern Literary JudgmentMark Schorer, Josephine Miles, Gordon McKenzie Harcourt, Brace, 1948 - Всего страниц: 553 |
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Стр. 266
... critic : the critic with a mind which is naturally of the creative order , but which through some weakness in creative power exercises itself in criticism instead . These minds often find in Hamlet a vicarious existence for their own ...
... critic : the critic with a mind which is naturally of the creative order , but which through some weakness in creative power exercises itself in criticism instead . These minds often find in Hamlet a vicarious existence for their own ...
Стр. 317
... criticism . It is possible that he ought not to be called a literary critic at all . If we list the titles of his ... Criticism , Science and Poetry , Practical Criticism , Mencius on the Mind , and Coleridge on Imagination . The ...
... criticism . It is possible that he ought not to be called a literary critic at all . If we list the titles of his ... Criticism , Science and Poetry , Practical Criticism , Mencius on the Mind , and Coleridge on Imagination . The ...
Стр. 320
... criticism that I wish to examine an example of what composes , after all , the great bulk of serious writings about literature : a work of literary scholarship . Upon scholarship all other forms of literary criticism depend , so long as ...
... criticism that I wish to examine an example of what composes , after all , the great bulk of serious writings about literature : a work of literary scholarship . Upon scholarship all other forms of literary criticism depend , so long as ...
Содержание
WILLIAM WORDSWORTH | 30 |
HENRY JAMES | 44 |
ANDREW CECIL BRADLEY Hegels Theory of Tragedy | 55 |
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Criticism: The Foundations of Modern Literary Judgment Mark Schorer,Josephine Miles,Gordon McKenzie Просмотр фрагмента - 1948 |
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action admiration appear artist beauty become beginning believe better called cause character comes common consider course criticism drama effect English equally example existence experience expression fact feeling follow force genius give given hand human idea imagination imitation important interest James kind knowledge language learning least less literature living look manner matter means merely mind moral nature never novel object observed once original particular passions perhaps persons play pleasure plot poem poet poetic poetry possible present principle produced prose question reader reason relation represent seems sense social speak spirit story tell things thought tion tragedy true truth turn understanding universal verse whole write