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Стр. 266
F EW CRITICS have ever admitted that Hamlet the play is the primary problem , and Hamlet the character only secondary . And Hamlet the character has had an especial temptation for that most dangerous type of critic : the critic with a ...
F EW CRITICS have ever admitted that Hamlet the play is the primary problem , and Hamlet the character only secondary . And Hamlet the character has had an especial temptation for that most dangerous type of critic : the critic with a ...
Стр. 317
But some critics deliberately expand the theoretic phase of every practical problem . There is a tendency to urge the scientific principle and the statistical method , and in doing so to bring in the whole assorted world of thought .
But some critics deliberately expand the theoretic phase of every practical problem . There is a tendency to urge the scientific principle and the statistical method , and in doing so to bring in the whole assorted world of thought .
Стр. 320
If we remember this and make the appropriate reductions here as elsewhere , Mr. Burke's essays become as pertinent to literary criticism as they are to the general ethical play of the mind . Otherwise they become too much a methodology ...
If we remember this and make the appropriate reductions here as elsewhere , Mr. Burke's essays become as pertinent to literary criticism as they are to the general ethical play of the mind . Otherwise they become too much a methodology ...
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WILLIAM WORDSWORTH | 30 |
HENRY JAMES | 44 |
ANDREW CECIL BRADLEY Hegels Theory of Tragedy | 55 |
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Другие издания - Просмотреть все
Criticism: The Foundations of Modern Literary Judgment Mark Schorer,Josephine Miles,Gordon McKenzie Просмотр фрагмента - 1948 |
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action admiration appear artist beauty become beginning believe better called cause character comes common consider course criticism drama effect English equally example existence experience expression fact feeling follow force genius give given hand human idea imagination imitation important interest James kind knowledge language learning least less literature living look manner matter means merely mind moral nature never novel object observed once original particular passions perhaps persons play pleasure plot poem poet poetic poetry possible present principle produced prose question reader reason relation represent seems sense social speak spirit story tell things thought tion tragedy true truth turn understanding universal verse whole write