Criticism: The Foundations of Modern Literary JudgmentMark Schorer, Josephine Miles, Gordon McKenzie Harcourt, Brace, 1948 - Всего страниц: 553 |
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Стр. 374
... effect would be more powerful if we could somehow manage to feel the images fully and accurately without having the effect diluted by any words put in to give us a ' meaning ' - that is , if we could expel all the talk about the ...
... effect would be more powerful if we could somehow manage to feel the images fully and accurately without having the effect diluted by any words put in to give us a ' meaning ' - that is , if we could expel all the talk about the ...
Стр. 376
... effect , or it may mean , though they do participate in the poetic effect , they need not appear in the poem in an explicit and argued form . And this second reading would scarcely be a doctrine of pure poetry at all , for it would ...
... effect , or it may mean , though they do participate in the poetic effect , they need not appear in the poem in an explicit and argued form . And this second reading would scarcely be a doctrine of pure poetry at all , for it would ...
Стр. 460
... effect than a constant conjunction of events : poetry is ever found to coexist with whatever other arts contribute to the happiness and perfection of man . I appeal to what has already been established to distinguish between the cause ...
... effect than a constant conjunction of events : poetry is ever found to coexist with whatever other arts contribute to the happiness and perfection of man . I appeal to what has already been established to distinguish between the cause ...
Содержание
WILLIAM WORDSWORTH | 30 |
HENRY JAMES | 44 |
ANDREW CECIL BRADLEY Hegels Theory of Tragedy | 55 |
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Criticism: The Foundations of Modern Literary Judgment Mark Schorer,Josephine Miles,Gordon McKenzie Просмотр фрагмента - 1948 |
Часто встречающиеся слова и выражения
action admiration appear artist beauty become beginning believe better called cause character comes common consider course criticism drama effect English equally example existence experience expression fact feeling follow force genius give given hand human idea imagination imitation important interest James kind knowledge language learning least less literature living look manner matter means merely mind moral nature never novel object observed once original particular passions perhaps persons play pleasure plot poem poet poetic poetry possible present principle produced prose question reader reason relation represent seems sense social speak spirit story tell things thought tion tragedy true truth turn understanding universal verse whole write