Criticism: The Foundations of Modern Literary JudgmentMark Schorer, Josephine Miles, Gordon McKenzie Harcourt, Brace, 1948 - Всего страниц: 553 |
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Стр. 82
... fact that no amount of rhetorical bombast could conceal the fact that grandeur was not to be counterfeited when the belief in its possibility was dead , and turning from the hero to the common man , we inaugurated the era of realism ...
... fact that no amount of rhetorical bombast could conceal the fact that grandeur was not to be counterfeited when the belief in its possibility was dead , and turning from the hero to the common man , we inaugurated the era of realism ...
Стр. 489
... fact , in the supposed fact ; it has attached its emotion to the fact , and now the fact is failing it . But for poetry the idea is everything ; the rest is a world of illusion , of divine illusion . Poetry attaches its emotion to the ...
... fact , in the supposed fact ; it has attached its emotion to the fact , and now the fact is failing it . But for poetry the idea is everything ; the rest is a world of illusion , of divine illusion . Poetry attaches its emotion to the ...
Стр. 505
... fact , in the supposed fact ; it has at- tached its emotion to the fact , and now the fact is failing it . But for poetry the idea is everything . — MATTHEW ARNOLD M 1 THE GENERAL SITUATION " AN's prospects are not at present so rosy ...
... fact , in the supposed fact ; it has at- tached its emotion to the fact , and now the fact is failing it . But for poetry the idea is everything . — MATTHEW ARNOLD M 1 THE GENERAL SITUATION " AN's prospects are not at present so rosy ...
Содержание
PART ONE SOURCE | 3 |
EDWARD YOUNG Conjectures on Original Composition | 12 |
WILLIAM WORDSWORTH Observations Prefixed to Lyrical Ballads | 30 |
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action admiration aesthetic appears Aristotle artist attitude beauty believe Ben Jonson blank verse called character classical comedy conscious criticism delight divine drama Edith Wharton effect emotion English Epic poetry essay example experience expression fact feeling fiction Freud genius give Hegel Henry James Homer human I. A. Richards idea imagination imitation interest James kind language less literary literature living Lycidas means ment merely metaphor metre Milton mind modern moral nature never novel novelist object passion perhaps persons philosophical Plato play pleasure plot poem Poesie poet poet's poetic poetry present prose reader reason Restoration comedy rhyme romanticism Sacred Fount scene seems sense Shakespeare social Sophocles soul speak spirit stanza story style Surrealists T. S. Eliot taste things thought tion tragedy tragic true truth ture verse whole words write