Criticism: The Foundations of Modern Literary JudgmentMark Schorer, Josephine Miles, Gordon McKenzie Harcourt, Brace, 1948 - Всего страниц: 553 |
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Стр. 82
... fact that no amount of rhetorical bombast could conceal the fact that grandeur was not to be counterfeited when the belief in its possibility was dead , and turning from the hero to the common man , we inaugurated the era of realism ...
... fact that no amount of rhetorical bombast could conceal the fact that grandeur was not to be counterfeited when the belief in its possibility was dead , and turning from the hero to the common man , we inaugurated the era of realism ...
Стр. 489
... fact , in the supposed fact ; it has attached its emotion to the fact , and now the fact is failing it . But for poetry the idea is everything ; the rest is a world of illusion , of divine illusion . Poetry attaches its emotion to the ...
... fact , in the supposed fact ; it has attached its emotion to the fact , and now the fact is failing it . But for poetry the idea is everything ; the rest is a world of illusion , of divine illusion . Poetry attaches its emotion to the ...
Стр. 505
... fact , in the supposed fact ; it has attached its emotion to the fact , and now the fact is failing it . But for poetry the idea is everything . - MATTHEW ARNOLD 1 THE GENERAL SITUATION Μ AN's prospects are not at present so rosy that ...
... fact , in the supposed fact ; it has attached its emotion to the fact , and now the fact is failing it . But for poetry the idea is everything . - MATTHEW ARNOLD 1 THE GENERAL SITUATION Μ AN's prospects are not at present so rosy that ...
Содержание
WILLIAM WORDSWORTH | 30 |
HENRY JAMES | 44 |
ANDREW CECIL BRADLEY Hegels Theory of Tragedy | 55 |
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action admiration appear artist beauty become beginning believe better called cause character comes common consider course criticism drama effect English equally example existence experience expression fact feeling follow force genius give given hand human idea imagination imitation important interest James kind knowledge language learning least less literature living look manner matter means merely mind moral nature never novel object observed once original particular passions perhaps persons play pleasure plot poem poet poetic poetry possible present principle produced prose question reader reason relation represent seems sense social speak spirit story tell things thought tion tragedy true truth turn understanding universal verse whole write