Criticism: The Foundations of Modern Literary JudgmentMark Schorer, Josephine Miles, Gordon McKenzie Harcourt, Brace, 1948 - Всего страниц: 553 |
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Стр. 527
... feeling . They are , as a rule , interlinked and combined very closely , and the exact dissection of the one from the other is sometimes an impossible and always an extremely delicate and perilous operation . But the effort to separate ...
... feeling . They are , as a rule , interlinked and combined very closely , and the exact dissection of the one from the other is sometimes an impossible and always an extremely delicate and perilous operation . But the effort to separate ...
Стр. 530
... feeling . Since the only cure that can be suggested for the general unintelligibility of poetry that the protocols exhibit is some more enlightened use of interpretation exercised in our schools , it is worth while to consider what ...
... feeling . Since the only cure that can be suggested for the general unintelligibility of poetry that the protocols exhibit is some more enlightened use of interpretation exercised in our schools , it is worth while to consider what ...
Стр. 532
... feeling you conventionally have towards pigs , or because you propose , if possible , to excite those feelings . Both metaphorical shifts may be combined simultaneously , and they often are . But in studying our methods of describing ...
... feeling you conventionally have towards pigs , or because you propose , if possible , to excite those feelings . Both metaphorical shifts may be combined simultaneously , and they often are . But in studying our methods of describing ...
Содержание
WILLIAM WORDSWORTH | 30 |
HENRY JAMES | 44 |
ANDREW CECIL BRADLEY Hegels Theory of Tragedy | 55 |
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Criticism: The Foundations of Modern Literary Judgment Mark Schorer,Josephine Miles,Gordon McKenzie Просмотр фрагмента - 1948 |
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action admiration appear artist beauty become beginning believe better called cause character comes common consider course criticism drama effect English equally example existence experience expression fact feeling follow force genius give given hand human idea imagination imitation important interest James kind knowledge language learning least less literature living look manner matter means merely mind moral nature never novel object observed once original particular passions perhaps persons play pleasure plot poem poet poetic poetry possible present principle produced prose question reader reason relation represent seems sense social speak spirit story tell things thought tion tragedy true truth turn understanding universal verse whole write