Criticism: The Foundations of Modern Literary JudgmentMark Schorer, Josephine Miles, Gordon McKenzie Harcourt, Brace, 1948 - Всего страниц: 553 |
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Стр. 527
... feeling . They are , as a rule , interlinked and combined very closely , and the exact dissection of the one from the other is sometimes an impossible and always an extremely delicate and perilous operation . But the effort to separate ...
... feeling . They are , as a rule , interlinked and combined very closely , and the exact dissection of the one from the other is sometimes an impossible and always an extremely delicate and perilous operation . But the effort to separate ...
Стр. 530
... feeling . Since the only cure that can be suggested for the general unintelligibility of poetry that the protocols exhibit is some more enlightened use of interpretation exercised in our schools , it is worth while to consider what ...
... feeling . Since the only cure that can be suggested for the general unintelligibility of poetry that the protocols exhibit is some more enlightened use of interpretation exercised in our schools , it is worth while to consider what ...
Стр. 532
... feeling you conventionally have towards pigs , or because you propose , if possible , to excite those feelings . Both meta- phorical shifts may be combined simultaneously , and they often are . But in studying our methods of describing ...
... feeling you conventionally have towards pigs , or because you propose , if possible , to excite those feelings . Both meta- phorical shifts may be combined simultaneously , and they often are . But in studying our methods of describing ...
Содержание
PART ONE SOURCE | 3 |
EDWARD YOUNG Conjectures on Original Composition | 12 |
WILLIAM WORDSWORTH Observations Prefixed to Lyrical Ballads | 30 |
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Criticism: The Foundations of Modern Literary Judgment Mark Schorer,Josephine Miles,Gordon McKenzie Просмотр фрагмента - 1948 |
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action admiration aesthetic appears Aristotle artist attitude beauty believe Ben Jonson blank verse called character classical comedy conscious criticism delight divine drama Edith Wharton effect emotion English Epic poetry essay example experience expression fact feeling fiction Freud genius give Hegel Henry James Homer human I. A. Richards idea imagination imitation interest James kind language less literary literature living Lycidas means ment merely metaphor metre Milton mind modern moral nature never novel novelist object passion perhaps persons philosophical Plato play pleasure plot poem Poesie poet poet's poetic poetry present prose reader reason Restoration comedy rhyme romanticism Sacred Fount scene seems sense Shakespeare social Sophocles soul speak spirit stanza story style Surrealists T. S. Eliot taste things thought tion tragedy tragic true truth ture verse whole words write