Criticism: The Foundations of Modern Literary JudgmentMark Schorer, Josephine Miles, Gordon McKenzie Harcourt, Brace, 1948 - Всего страниц: 553 |
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Стр. 203
... follow anything by causal necessity , but after which something naturally is or comes to be . An end , on the contrary , is that which itself naturally follows some other thing , either by necessity , or as a rule , but has nothing ...
... follow anything by causal necessity , but after which something naturally is or comes to be . An end , on the contrary , is that which itself naturally follows some other thing , either by necessity , or as a rule , but has nothing ...
Стр. 489
... follow . We are here invited to trace the stream of English poetry . But whether we set ourselves , as here , to follow only one of the several streams that make the mighty river of poetry , or whether sible into the given time . Great ...
... follow . We are here invited to trace the stream of English poetry . But whether we set ourselves , as here , to follow only one of the several streams that make the mighty river of poetry , or whether sible into the given time . Great ...
Стр. 537
... follow his advice . He told them to choose , then stated the issue in such a way that there was no choice . Those that love Rome , he said , must agree that Caesar should have been killed . Those that do not love Rome , should object ...
... follow his advice . He told them to choose , then stated the issue in such a way that there was no choice . Those that love Rome , he said , must agree that Caesar should have been killed . Those that do not love Rome , should object ...
Содержание
WILLIAM WORDSWORTH | 30 |
HENRY JAMES | 44 |
ANDREW CECIL BRADLEY Hegels Theory of Tragedy | 55 |
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Criticism: The Foundations of Modern Literary Judgment Mark Schorer,Josephine Miles,Gordon McKenzie Просмотр фрагмента - 1948 |
Часто встречающиеся слова и выражения
action admiration appear artist beauty become beginning believe better called cause character comes common consider course criticism drama effect English equally example existence experience expression fact feeling follow force genius give given hand human idea imagination imitation important interest James kind knowledge language learning least less literature living look manner matter means merely mind moral nature never novel object observed once original particular passions perhaps persons play pleasure plot poem poet poetic poetry possible present principle produced prose question reader reason relation represent seems sense social speak spirit story tell things thought tion tragedy true truth turn understanding universal verse whole write