Criticism: The Foundations of Modern Literary JudgmentMark Schorer, Josephine Miles, Gordon McKenzie Harcourt, Brace, 1948 - Всего страниц: 553 |
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Стр. 32
... importance of the subject . The subject is indeed important ! For the human mind is capable of being excited without the application of gross and violent stimulants ; and he must have a very faint perception of its beauty and dignity ...
... importance of the subject . The subject is indeed important ! For the human mind is capable of being excited without the application of gross and violent stimulants ; and he must have a very faint perception of its beauty and dignity ...
Стр. 82
... important , and when he dies neither his death nor the manner of it will be , outside the circle of two or three people as unnecessary as him self , any more important than that of a rat behind the arras . Perhaps we may dub the ...
... important , and when he dies neither his death nor the manner of it will be , outside the circle of two or three people as unnecessary as him self , any more important than that of a rat behind the arras . Perhaps we may dub the ...
Стр. 110
... important elements , has been transferred to unimportant ones , so that what seems to be pushed to the forefront in the dream , as the most important element in it , only plays a subsidiary role in the dream - thoughts , and conversely ...
... important elements , has been transferred to unimportant ones , so that what seems to be pushed to the forefront in the dream , as the most important element in it , only plays a subsidiary role in the dream - thoughts , and conversely ...
Содержание
WILLIAM WORDSWORTH | 30 |
HENRY JAMES | 44 |
ANDREW CECIL BRADLEY Hegels Theory of Tragedy | 55 |
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Criticism: The Foundations of Modern Literary Judgment Mark Schorer,Josephine Miles,Gordon McKenzie Просмотр фрагмента - 1948 |
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action admiration appear artist beauty become beginning believe better called cause character comes common consider course criticism drama effect English equally example existence experience expression fact feeling follow force genius give given hand human idea imagination imitation important interest James kind knowledge language learning least less literature living look manner matter means merely mind moral nature never novel object observed once original particular passions perhaps persons play pleasure plot poem poet poetic poetry possible present principle produced prose question reader reason relation represent seems sense social speak spirit story tell things thought tion tragedy true truth turn understanding universal verse whole write