Criticism: The Foundations of Modern Literary JudgmentMark Schorer, Josephine Miles, Gordon McKenzie Harcourt, Brace, 1948 - Всего страниц: 553 |
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Стр. 36
... knowledge is connected , he feels that his knowledge is pleasure ; and where he has no pleasure he has no knowledge . What then does the Poet ? He considers man and the objects that surround him as acting and reacting upon each other ...
... knowledge is connected , he feels that his knowledge is pleasure ; and where he has no pleasure he has no knowledge . What then does the Poet ? He considers man and the objects that surround him as acting and reacting upon each other ...
Стр. 310
... knowledge itself is a fall from the para- dise of undifferentiated sensation , so equally every formula of knowledge must fall the mo- ment too much weight is laid upon it - the moment it becomes omnivorous and pretends to be omnipotent ...
... knowledge itself is a fall from the para- dise of undifferentiated sensation , so equally every formula of knowledge must fall the mo- ment too much weight is laid upon it - the moment it becomes omnivorous and pretends to be omnipotent ...
Стр. 413
... knowledge , they that best breed it , deserve the best commenda- tion . The Philosopher therfore and the Historian , are they which would win the gole : the one by precept , the other by example . But both not having both , doe both ...
... knowledge , they that best breed it , deserve the best commenda- tion . The Philosopher therfore and the Historian , are they which would win the gole : the one by precept , the other by example . But both not having both , doe both ...
Содержание
PART ONE SOURCE | 3 |
EDWARD YOUNG Conjectures on Original Composition | 12 |
WILLIAM WORDSWORTH Observations Prefixed to Lyrical Ballads | 30 |
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Criticism: The Foundations of Modern Literary Judgment Mark Schorer,Josephine Miles,Gordon McKenzie Просмотр фрагмента - 1948 |
Часто встречающиеся слова и выражения
action admiration aesthetic appears Aristotle artist attitude beauty believe Ben Jonson blank verse called character classical comedy conscious criticism delight divine drama Edith Wharton effect emotion English Epic poetry essay example experience expression fact feeling fiction Freud genius give Hegel Henry James Homer human I. A. Richards idea imagination imitation interest James kind language less literary literature living Lycidas means ment merely metaphor metre Milton mind modern moral nature never novel novelist object passion perhaps persons philosophical Plato play pleasure plot poem Poesie poet poet's poetic poetry present prose reader reason Restoration comedy rhyme romanticism Sacred Fount scene seems sense Shakespeare social Sophocles soul speak spirit stanza story style Surrealists T. S. Eliot taste things thought tion tragedy tragic true truth ture verse whole words write