Criticism: The Foundations of Modern Literary JudgmentMark Schorer, Josephine Miles, Gordon McKenzie Harcourt, Brace, 1948 - Всего страниц: 553 |
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Стр. 42
... language was thus insensibly produced , differing materially from the real language of men in any situation . The Reader or Hearer of this distorted language found himself in a perturbed and unusual state of mind : when affected by the ...
... language was thus insensibly produced , differing materially from the real language of men in any situation . The Reader or Hearer of this distorted language found himself in a perturbed and unusual state of mind : when affected by the ...
Стр. 358
... Language of Paradox * *. F EW OF us are prepared to accept the statement that the language of poetry is the language of paradox . Paradox is the language of sophistry , hard , bright , witty ; it is hardly the language of the soul . We ...
... Language of Paradox * *. F EW OF us are prepared to accept the statement that the language of poetry is the language of paradox . Paradox is the language of sophistry , hard , bright , witty ; it is hardly the language of the soul . We ...
Стр. 457
... language ; for the popular division into prose and verse is inadmissible in accurate philosophy . Sounds as well as thoughts have relation both between each other and towards that which they represent , and a perception of the order of ...
... language ; for the popular division into prose and verse is inadmissible in accurate philosophy . Sounds as well as thoughts have relation both between each other and towards that which they represent , and a perception of the order of ...
Содержание
WILLIAM WORDSWORTH | 30 |
HENRY JAMES | 44 |
ANDREW CECIL BRADLEY Hegels Theory of Tragedy | 55 |
Не показаны другие разделы: 40
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Criticism: The Foundations of Modern Literary Judgment Mark Schorer,Josephine Miles,Gordon McKenzie Просмотр фрагмента - 1948 |
Часто встречающиеся слова и выражения
action admiration appear artist beauty become beginning believe better called cause character comes common consider course criticism drama effect English equally example existence experience expression fact feeling follow force genius give given hand human idea imagination imitation important interest James kind knowledge language learning least less literature living look manner matter means merely mind moral nature never novel object observed once original particular passions perhaps persons play pleasure plot poem poet poetic poetry possible present principle produced prose question reader reason relation represent seems sense social speak spirit story tell things thought tion tragedy true truth turn understanding universal verse whole write